壮族民歌文化定位的历史嬗变

发布时间：2018-01-12 08:20

本文关键词：壮族民歌文化定位的历史嬗变　出处：《广西师范大学》2007年硕士论文　论文类型：学位论文

【摘要】： 壮族拥有千年的歌唱传统。壮族人民自古就喜歌善唱,往往以歌代言、习歌成俗。民歌是壮民族表述、记忆和传承的主要方式,因而承载着民族的情感价值和文化基因。然而在不同的历史时期,官方精英阶层对其的定位并不尽相同,并因此在很大程度上造成了壮族民歌不同的文化境遇。本文试图通过对官方精英阶层视野中的壮族民歌文化定位的历史考察,探讨壮族民歌经历了怎样的嬗变轨迹,官方精英阶层对壮族民歌的发展施加了怎样的影响,以待能对壮族民歌当下的文化定位和保护实践提供一点理论认知。清代以前,壮族民歌因与儒家正统文化相左,历来被官方和文人所诟病,被视为“陋俗”。民国时期,在官方推行的以现代文化为内容的风俗改良运动中,壮族民歌被视为“封建”、“迷信”。与此同时部分知识精英开始了“眼光向下的革命”,对民歌的价值予以重塑。建国早期,官方表现出了对于壮族民歌的高度重视,甚至以“政治文化运动”的形式推进。但是过多政治内容的承担,使民歌沦落为政治符号的表达。文革时期,在“打倒一切”的口号下,官方视壮族民歌为“封建”、“黄歌”,禁止民间演唱。 20世纪80年代以来,在现代化的语境中,壮族民歌面临着濒临消亡的命运,随意开发的现象也时有发生。在国际和国内对于民歌保护声音日隆的背景下,政府实现了对于本土文化的转变,在基于壮族民歌文化属性的基础上,将民歌定位为“民族民间传统文化”和“非物质文化遗产”。学者文人也以其济世情怀呼吁对于民歌的保护。另外值得注意的是,虽然壮族民歌呈现了整体式微的态势,但是其在当下的语境中立足于自身文化的核心不断延伸着自身的文化空间,显示了壮族民歌强大的适应性生存能力。民歌是定性文化,以其文化属性对其定位是根本的。对于当下的壮族民歌定位的完善和保护实践来说,政府的主导力量、学者文人的知识力量、商家的资本力量和地方民众的本土文化力量都是不可或缺的组成部分。只有建立一个有政府、学者文人、商家和地方民众共同协作的定位体系和保护体系,最大限度的发挥各种力量相互制衡下形成的合力,才有可能保证作为非物质文化遗产的壮族民歌代代相传。
[Abstract]:Zhuang has a thousand years of singing. The traditional Zhuang people since ancient times like good singing, tend to speak Song Xi song become popular. Folk songs are Zhuang ethnic expression, main memory and heritage, thus carrying the emotional value and national cultural genes. However, in different historical periods, the elite of the official position is not the same, and thus to a large extent caused by the different cultural situation of Zhuang folk songs. This article attempts through reviewing the history of Zhuang folk cultural orientation in the perspective of the official elite, explore the folk songs of Zhuang nationality experienced how the change orbit track, applying what effect the official elite development of Zhuang folk songs, to be able to cultural orientation and protection practice of the Zhuang folk songs provide a theory of cognition.
Before the Qing Dynasty, because of the orthodox Confucian culture of Zhuang folk songs and has always been at odds, the official and literary criticism, is regarded as "vulgar". In the period of the Republic of China, the official implementation of the modern culture as the content of the customs reform movement, Zhuang folk songs are regarded as "feudal", "superstition". At the same time part of the intellectual elite the beginning of the "look down the revolution", to reshape the value of folk songs. In the early days, the official show attaches great importance to the folk song, even in the "Political Culture Movement" in the form of propulsion. But too much political content for the folk song, reduced to the expression of political symbols. During the cultural revolution, in the "down all" under the slogan, the official regarded Zhuang folk songs as "feudal", "Huang song", banned folk singing.
Since 1980s, in the modern context, Zhuang folk songs are facing the fate of dying, the random development of the phenomenon also occurred. In the international and domestic protection for folk songs sound rilong background, the government realized the transformation for the local culture, based on the Zhuang nationality folk culture attribute on folk position "traditional folk culture" and "intangible cultural heritage". Scholars with its forcountry calls for the protection of folk songs. It is also worth noting that although the Zhuang folk songs presented the overall decline of the situation, but the core in the current context based on their own culture as the extension of their culture space that shows the strong adaptability of the survival ability of Zhuang folk songs.
Folk songs are qualitative culture, with its cultural attributes to its localization is essential. To improve and protect the practice orientation of contemporary Zhuang folk songs, leading force of the government, scholars of the power of knowledge, business capital strength and the local people's local culture power is an indispensable part. Only the establishment of a a government, scholars, positioning and protection system for businesses and local people together, to maximize the power balance force is formed, can be assured of Zhuang folk song be handed down from age to age as the intangible cultural heritage.

【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：G122;J607

【引证文献】