《斯克里亚宾第五钢琴奏鸣曲》中神秘主义音响的钢琴演奏探析

发布时间：2018-01-14 15:36

本文关键词：《斯克里亚宾第五钢琴奏鸣曲》中神秘主义音响的钢琴演奏探析　出处：《武汉音乐学院》2007年硕士论文　论文类型：学位论文

【摘要】： 斯克里亚宾的《第五钢琴奏鸣曲》创作于1908年,这一时期正处于斯氏探索“神秘主义”思想表达的创作期。其第五奏鸣曲明显表现出与早期创作不同的风格,即采用单乐章形式,探究迷离的调性新颖的和声音响,速度与节奏的多样化,音响效果空旷、悠远,神秘中透出狂喜的兴奋,追求激情的幻想和灵魂的净化。演奏斯克里亚宾那些为“宗教”、“神学”思想所引领的奏鸣曲绝非易事,本文从踏板、力度、和弦、触键、速度与节奏五个方面入手,来探讨神秘主义音响的钢琴演奏处理。本文以斯克里亚宾对后期创作具有转折和开创性意义的《第五钢琴奏鸣曲》为研究对象,通过曲式分析、音乐美学、钢琴演奏及音乐听觉感知等内容,来论述斯氏《第五钢琴奏鸣曲》中“神秘主义”音响特征及其音响效果在钢琴演奏中的体现。
[Abstract]:Scriabin's "5th Piano Sonata" was written in 1908. This period is in his creative period of exploring the expression of "mysticism". His Sonata 5th obviously shows a different style from the early creation, that is, it adopts the form of single movement. Explore the confused tone of the novel harmony sound, the diversity of speed and rhythm, sound effect open, distant, mysterious exhilaration, the pursuit of passion fantasy and soul purification. It is not easy to play the sonatas led by the thought of "religion" and "theology" in Scriabin. This paper starts with five aspects: pedal, strength, chord, touch key, speed and rhythm. To explore the treatment of mystical sound piano playing. This paper takes Scriabin's "5th Piano Sonata", which is of turning and pioneering significance in his later creation, as the research object, through the analysis of music form, music aesthetics, piano playing and music hearing perception and so on. This paper discusses the sound characteristics of mysticism and its effect in piano performance in Sparrow's Piano Sonata 5th.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J624.1

【参考文献】