试论巴赫《法国组曲》中的舞蹈节奏在钢琴教学中的意义
发布时间:2018-03-08 18:14
本文选题:巴洛克舞蹈节奏 切入点:舞步 出处:《上海音乐学院》2008年硕士论文 论文类型:学位论文
【摘要】: 本文以巴赫的《法国组曲》为分析对象,研究巴洛克时期的舞蹈节奏与音乐的密切关系,以及巴洛克舞曲的节拍结构层次,并以此为切入口,探讨在钢琴教学中如何将舞蹈的舞步动作转化为钢琴的弹奏动作,将舞蹈的肢体律动感转化为音乐的内心节奏感,并进一步探讨如何将具体的演奏手段运用到《法国组曲》及与巴洛克舞蹈风格有关的巴赫其他非舞蹈标题作品的教学中去,进而实现唤起学生的内心节奏律动感的目的。
[Abstract]:Taking Bach's French Suite as an analysis object, this paper studies the close relationship between dance rhythm and music in Baroque period, as well as the rhythm structure level of Baroque dance, and takes it as the entry point. This paper discusses how to transform the dance step into the piano playing and the body rhythm into the inner rhythm of the music in the piano teaching, and discuss how to change the dance step action into the piano playing motion, and how to change the dance body rhythm feeling into the music inner rhythm feeling. Furthermore, this paper discusses how to apply the specific performance means to the teaching of French Suite and other non-title Bach dance works related to Baroque dance style, so as to realize the purpose of arousing students' inner rhythm and rhythm.
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J624.1
【引证文献】
相关硕士学位论文 前1条
1 张斯尧;“情感风格”与C·P·E·巴赫键盘乐奏鸣曲的相关性分析[D];上海音乐学院;2012年
,本文编号:1585003
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