“作曲包揽制”、非繁衍性传播与中国戏曲声腔的“太监化”

发布时间：2018-03-23 03:34

本文选题：戏曲音乐传播　切入点：“太监化”　出处：《南京艺术学院学报(音乐与表演版)》2008年03期 　论文类型：期刊论文

【摘要】：文章认为,生存发展的本质意义是繁衍,没有繁衍就会断子绝孙。只要强大的戏曲音乐自身的繁衍能力能继续存在,戏曲和戏曲音乐的生存发展就有希望。目下,我国戏曲声腔已经"太监化"。造成戏曲声腔"太监化"的根本原因:一是由于作为戏曲音乐传播源头的音乐创作机制,"作曲包揽制"的全面实行,导致戏曲演员创腔能力的全线崩溃;二是在"作曲包揽制"基础上,非繁衍性复制式技术传播的全面实施,由此阻断了戏曲音乐新的繁衍和发展;三是现实社会的法规、道德标准等客观环境,不适合、乃至不允许戏曲音乐继续以繁衍的方式发展。当务之急是要抓住戏曲音乐"创作"、"传播"这两个根本环节,改变策略,恢复民间戏曲的主体意识和音乐创作机制的"三结合"等,努力改善戏曲音乐的生存环境。
[Abstract]:The article holds that the essential meaning of survival and development is reproduction, without which reproduction will break down. As long as the reproduction ability of strong opera music itself can continue to exist, there is hope for the survival and development of opera and opera music. The Chinese opera has been "eunuchized". The root cause of the "eunuchization" of Chinese opera is as follows: first, due to the music creation mechanism, which is the source of traditional Chinese opera music dissemination, the "composition contracting system" has been put into practice in an all-round way. This has led to the collapse of the whole line of opera actors' ability to create music; second, on the basis of the "composition system", the comprehensive implementation of non-multiplicative replicative technology dissemination, thus blocking the new multiplication and development of traditional Chinese opera music; and third, the laws and regulations of the real society. The objective environment, such as moral standards, is not suitable for, or even does not allow, the continued development of opera music in the way of reproduction. The urgent task is to grasp the two fundamental links of opera music "creation" and "dissemination" and change its strategy. To restore the subjective consciousness of folk opera and the "three combinations" of music creation mechanism, and to improve the living environment of opera music.
【作者单位】：中国音乐家协会;
【分类号】：J617

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