唐山地区民歌演唱技巧探究
发布时间:2018-03-25 17:22
本文选题:唐山地区民歌 切入点:艺术特色 出处:《河北师范大学》2008年硕士论文
【摘要】: 唐山地区民歌作为冀东民歌的重要组成部分之一,在漫长的历史岁月中流传着题材多样、形式多变、风格迥异的民歌。这些民歌之所以能形成现在的演唱风格及润腔技巧,是和千百年来历史地理的变迁、勤劳智慧的唐山人民文化的积淀,还有各民族、各地区文化交流与融合分不开的。唐山地区民歌以现实生活的各个方面或民间故事传说为主要内容,以“中起高抛低落”的旋律线条和带有“老呔”方言声调的旋法特点,以明亮质朴且刚柔相济的演唱风格,更以“上挑下滑”的润腔以及儿化音、花舌音、断腔和归鼻韵等演唱技巧的巧妙运用,世世代代愉悦着唐山地区人民的生活与劳作,展现着他们的智慧与坚韧不拔。同时,唐山地区民歌还为当地其它民间艺术形式如评剧、唐山皮影、乐亭大鼓等注入了大量音乐元素,使得这些地方剧种在发展成熟之后也对唐山地区民歌产生了一定的影响,从而在音乐表现上得以相互借鉴。 民歌是世代人民在劳动和生活中创造、积累出的智慧的结晶,是中华民族的宝贵遗产,保护和利用好这些宝贵的文化遗产“有利于增进全民的文化自觉,有利于维护国家文化安全及世界人类文化的多样性,有利于维护民族精神传统,是实现中华民族伟大复兴极为重要的文化手段。”1同时,本人作为声乐专业的音乐学研究生,亦作为河北省从事民歌研究的音乐工作者,更有义务为我省民歌的传承和发展作出贡献。文章结合本人三年来所学的理论及专业知识,在各位学者、专家研究的基础上,对唐山地区民歌的演唱技巧做出了进一步探讨。 本文从全面了解唐山地区民歌的历史、地理、人文风俗及民歌的分类出发,对唐山地区民歌的艺术特征进行了细致的研究分析,并通过对老民歌艺人的演唱录音和现在民间歌手以及一些专业歌手的演绎,进一步归纳总结出唐山地区民歌的演唱风格和润腔技巧,其目的就在于深入的汲取民族民间音乐的精华,从而丰富民歌演唱的各种技巧,同时也为唐山地区民歌的保护与发展、传承与创新尽一份力,让这朵散发着泥土芳香的艺术奇葩更加艳丽。
[Abstract]:As one of the important components of Jidong folk songs, folk songs in Tangshan area have been spread in the long history of various subjects, varied forms and different styles. These folk songs can form the present singing style and moistening technique. And the historical and geographical changes of thousands of years, the accumulation of hardworking and intelligent Tangshan people's culture, and the various nationalities, The folk songs in Tangshan area are mainly composed of various aspects of real life or folklore, with the melodic lines of "rising high and throwing low" and the features of rotation with the tone of "old tie" dialect. With the bright and simple singing style, the smooth and soft singing style, and the skillful use of singing skills such as "pick up and slide" and the singing skills such as the rhyme of the petulant, the tongue, the broken cavity and the back nose, the people of Tangshan are enjoying the life and work of the people in Tangshan area for generations to come. At the same time, folk songs in the Tangshan area have also injected a lot of musical elements into other local folk art forms, such as drama criticism, Tangshan shadow shadow, and Yue Ting Drum, etc. Make these local drama in the development and maturity of the Tangshan folk songs have a certain impact on the performance of music can learn from each other. Folk songs are the crystallization of wisdom created and accumulated by generations of people in labor and life, and the precious heritage of the Chinese nation. Protecting and making good use of these precious cultural heritages "is conducive to promoting the cultural consciousness of the whole people." It is beneficial to the maintenance of national cultural security and the diversity of human culture in the world, to the preservation of national spiritual traditions, and is an extremely important cultural means to realize the great rejuvenation of the Chinese nation. "1 at the same time, as a graduate student of musicology majoring in vocal music, As a musician engaged in folk song research in Hebei Province, he is also obliged to contribute to the inheritance and development of folk songs in our province. This article combines the theory and professional knowledge I have learned over the past three years, on the basis of the research of scholars and experts. The singing skills of folk songs in Tangshan area are further discussed. Based on a comprehensive understanding of the history, geography, human customs and classification of folk songs in Tangshan, this paper makes a detailed study and analysis of the artistic characteristics of folk songs in Tangshan. And through the recording of the old folk song artists and the deduction of the folk singers and some professional singers, the singing style and the moistening technique of the folk songs in Tangshan area are further summed up. Its purpose is to deeply absorb the essence of folk music, so as to enrich the singing skills of folk songs, and at the same time contribute to the protection and development, inheritance and innovation of folk songs in Tangshan. Make this wonderful flower of art with earthy fragrance more beautiful.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J616
【引证文献】
相关硕士学位论文 前4条
1 刘晓平;孟子故里民歌研究[D];山东师范大学;2011年
2 窦玉英;多重视角下的河北民歌研究[D];河北师范大学;2011年
3 贾铭铭;俄语民歌文本中的语言信息单位研究[D];中山大学;2011年
4 陈倩;河北平山民间歌手阎三妮演唱艺术探究[D];河北师范大学;2012年
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