“藏彝走廊”乐舞文化选点考察与研究

发布时间：2018-05-18 04:02

本文选题：“藏彝走廊” + 信仰　；参考：《南京艺术学院》2007年博士论文

【摘要】： 本选题试图通过“藏彝走廊”这样一个历史形成的民族区域内的信仰和民俗乐舞选点考察与研究，探索其相关乐舞在不同文化层面中的生存状态，阐述其与所处自然环境和文化环境之间的相互关系。研究方法采用民族音乐学的田野考察，将所获第一手材料作为基础，综合相关社会科学诸学科理论与方法，结合区域性研究视野，充分认识地理因素与乐舞文化的互动关系。通过本选题的研究笔者认识到，信仰、民俗、仪式、乐舞不可分离的现象当为“藏彝走廊”乐舞文化的一个基本特色。信仰和民俗表现为仪式行为，仪式必然的伴随着乐舞，而乐舞得以作为仪式的一部分并以此来表达信仰或民俗文化。这样，乐舞已不是单纯的“音乐舞蹈艺术”，而是扮演了重要社会功能角色的一种艺术文化现象，乐舞形态与乐舞概念、乐舞行为，共同构成了仪式性民族乐舞文化综合整体。这种以“乐舞形态”为内核的仪式性民族乐舞文化综合整体，贯穿于整个走廊文化，故而即可将这些选点考察与研究的民族乐舞对象，视为是其中的代表或典型，，其相关调查材料的梳理和论证，亦可为当下相关民族的非物质文化遗产保护，提供出具体的实证性材料和理论依据。
[Abstract]:This paper attempts to explore the existence of the related music and dance in different cultural levels through the investigation and study of the religious and folk music and dance in the historical region of the Tibetan and Yi Corridor, which is a historical formation of the Tibetan and Yi Corridor. The relationship between it and its natural and cultural environment is expounded. The research method adopts the field investigation of ethnomusicology, taking the firsthand materials obtained as the basis, synthesizing the theories and methods of relevant social sciences, combining with the regional research field, fully understanding the interactive relationship between geographical factors and music and dance culture. Through the study of this topic, the author realized that belief, folklore, ceremony, music and dance can not be separated as the "Tibetan corridor" music and dance culture is a basic feature. Belief and folklore are expressed as ritual behavior, and ritual is inevitably accompanied by music and dance, and music and dance can be used as part of the ceremony to express belief or folk culture. In this way, music and dance are not simply "music and dance art", but an artistic and cultural phenomenon that plays an important role in social function. Music and dance form, music and dance concept, music and dance behavior, together constitute a comprehensive whole of ritual national music and dance culture. This kind of ritual national music and dance culture, which takes "music and dance form" as its core, runs through the whole corridor culture, so it can be regarded as the representative or typical of the folk music and dance objects which are inspected and studied at these selected points. The combing and argumentation of the relevant investigation materials can also provide concrete empirical material and theoretical basis for the protection of the intangible cultural heritage of the relevant nationalities at present.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J607

【引证文献】