中国20世纪30年代左翼电影歌曲探析

发布时间：2018-06-03 01:38

本文选题：二十世纪三十年代 + 左翼电影运动　；参考：《河南大学》2007年硕士论文

【摘要】： 本文以中国二十世纪三十年代左翼电影影响下的电影歌曲为研究对象。通过对现有资料的梳理和分析,在前人研究总结的基础上,运用电影史学、音乐史学的研究方法对其进行系统研究。笔者认为,当时严酷的政治环境要求左翼作家在电影文本中不能有过分明朗的意识形态表述,而电影歌曲因为在审查时不受重视,故而可以更多地包含意识形态方面的内容,受到左翼作家的重视。所以,左翼作家在电影歌曲创作方面的成就甚至超过叙事文本的创作。笔者希望通过对三十年代历史时期左翼电影运动的追溯以及深入挖掘,重提电影歌曲的时代意义,唤起音乐界对当前国内电影音乐创作的重视,促进电影界与音乐界艺术工作者之间的合作,再次期待电影歌曲的再度辉煌。笔者首先结合中国二十世纪三十年代中国政治和文化形势,对左翼文化运动产生的背景进行探究,对这一时期电影艺术的发展和创作进行描述和总结。继而以大量例证的方法说明左翼作家如何以电影歌曲作为切入点构筑意识形态对时代的影响。然后,通过对几部影响深远的电影歌曲为研究对象做出创作和风格的分析研究,以及其时代意义。正文由四个部分组成: 第一部分:二十世纪三十年代中国电影艺术发展综述主要结合二十世纪三十年代中国政治、文化发展现状,对这一时期电影艺术的创作进行具体的描述和总结。第二部分:左翼电影运动及电影理论之争总结归纳时代背景下的左翼电影运动和创作以及这个时期理论界发起的软硬电影的论争。第三部分:左翼作家影响下的电影歌曲主要论述左翼作家如何以电影歌曲作为切入点构筑意识形态对当时流行文化以及整个时代的影响。第四部分:几部有影响的电影歌曲的创作以及其意义主要以几部有影响的电影歌曲为研究对象研究其创作和歌曲在影片中的运用并阐述其时代意义。
[Abstract]:This paper focuses on the movie songs under the influence of the Chinese left-wing films in the 1930 s. By combing and analyzing the existing materials, this paper makes a systematic study on the film history and music history by using the methods of film history and music history on the basis of the previous research summary. The author believes that the harsh political environment at that time required left-wing writers not to have an overly clear ideological expression in the film text, and that film songs, because they were not taken seriously in censorship, could contain more ideological content. Be valued by left-wing writers. Therefore, left-wing writers' achievements in the creation of film songs exceed even the creation of narrative texts. The author hopes to recall the significance of the era of film songs by tracing back to the historical movement of left-wing films in the 1930s and to arouse the attention of the music industry to the current domestic film music creation. Promote the cooperation between the film and music artists, and look forward to the re-glory of film songs. Firstly, combining the political and cultural situation of China in the 1930s, the author probes into the background of the left-wing cultural movement, and describes and summarizes the development and creation of film art in this period. Then a lot of examples are given to illustrate how left-wing writers use film songs as a starting point to construct the influence of ideology on the times. Then, through the analysis of the creation and style of several far-reaching movie songs, as well as the significance of the times. The text consists of four parts: Part one: a Summary of the Development of Chinese Film Art in the 1930s Combined with the present situation of Chinese political and cultural development in 1930s, this paper describes and summarizes the creation of film art in this period. The second part: the controversy between the left-wing film movement and the film theory This paper summarizes the movement and creation of left-wing films under the background of the times and the controversy between hard and soft films initiated by the theorists in this period. Part three: movie songs under the influence of Left-wing Writers This paper mainly discusses how left-wing writers use film songs as a starting point to construct the influence of ideology on popular culture and the whole era. The fourth part: the creation and significance of several influential movie songs This paper focuses on several influential movie songs as the research object to study their writing and the use of songs in the film and expound the significance of their times.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J617.6

【引证文献】