从《歌剧魅影》中唱段分析看音乐剧声乐演唱特征

发布时间：2018-06-27 20:08

本文选题：音乐剧 + 《歌剧魅影》　；参考：《首都师范大学》2008年硕士论文

【摘要】： 近年来,音乐剧作为一种新兴的艺术表演形式在我国风靡开来,它以其优美动听的旋律、引人入胜的戏剧性情节、璀璨夺目的舞美场景吸引着无数音乐爱好者。百老汇经典音乐剧《歌剧魅影》以其独特的声乐魅力在音乐剧历史舞台上占有重要地位,其中的经典声乐作品也在全球广为传唱。《歌剧魅影》中的声乐演唱结合了古典歌剧的美声唱法,又融入了流行音乐的现代元素,使得它既不失古典音乐的高贵,又具有现代音乐的流行气息。分析研究它的声乐演唱特征,并通过对它的分析,归纳、概括出音乐剧的声乐演唱特征,能够对我们更好地演唱音乐剧作品起到推动作用。本文即以经典音乐剧剧目《歌剧魅影》中的唱段分析为切入点,运用例证分析的研究方法,结合笔者研究方向,通过音乐剧中唱段的分析和研究,探讨音乐剧的声乐演唱特征。文章第一章重点介绍了音乐剧的有关知识,包括:音乐剧的定义、特征、分类、发展史等,接着引出音乐剧《歌剧魅影》,并简要介绍了《歌剧魅影》作曲家韦伯的生平、音乐剧脚本以及本剧的主要剧情梗概。行文第二章着重对音乐剧《歌剧魅影》中主要唱段进行了分析,并结合谱例,归纳、概括出音乐剧声乐演唱的一些特征。本文第三章在第二章分析研究的基础上,从声乐演唱角度总结出音乐剧声乐演唱特征,并结合自身演唱体验,总结出一些把握音乐剧声乐演唱特征的方法和途径。最后一章笔者对音乐剧的未来做了展望,并提出了音乐剧学习的必要性和可行性,希望音乐剧在我国能被较好地传承和发展。此研究便于声乐演唱者进一步从理论角度掌握音乐剧声乐演唱特征,使音乐剧声乐演唱能够有据可循,希望能为声乐爱好者和声乐从业人员演唱音乐剧作品起到抛砖引玉的作用。
[Abstract]:In recent years, as a new form of art performance, musical is popular in our country. It attracts countless music lovers with its beautiful melody, attractive dramatic plot and dazzling dance scene. Broadway classic musical Phantom of Opera plays an important role in musical history with its unique vocal charm. Among them, the classical vocal works are also widely sung around the world. The vocal singing in the Phantom of the Opera combines the canto of classical opera with the modern elements of pop music, so that it does not lose the nobility of classical music. It also has the popular flavor of modern music. This paper analyzes and studies its vocal singing characteristics, and summarizes the vocal singing characteristics of musicals through its analysis, which can promote us to sing musical works better. Based on the canto analysis in the classic musical repertoire Phantom of Opera, this paper uses the research method of illustrative analysis, combined with the author's research direction, to discuss the vocal singing characteristics of the musical through the analysis and research of the choir in the musical. The first chapter focuses on the knowledge of musicals, including the definition, characteristics, classification, history of development of musicals, and then introduces the musical "Phantom of Opera", and briefly introduces the life of composer Weber, "Phantom of Opera". The musical script and the main plot of the play. The second chapter focuses on the analysis of the main vocals in the musical Phantom of the Opera, and summarizes some characteristics of musical vocal singing by combining with some musical examples. On the basis of the analysis and research in the second chapter, the third chapter summarizes the singing characteristics of musical vocal music from the angle of vocal music singing, and sums up some ways and means to grasp the singing characteristics of musical vocal music. In the last chapter, the author looks forward to the future of musicals, and puts forward the necessity and feasibility of studying musicals, hoping that musicals can be inherited and developed in our country. This study is convenient for vocal singers to further grasp the vocal singing characteristics of musicals from a theoretical point of view, so that musical vocal singing can be based on. I hope to play a role in singing musical works for vocal music lovers and vocal music practitioners.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J616

【引证文献】