多重文化交融下的天祝土族传统音乐研究

发布时间：2018-07-10 07:48

本文选题：天祝土族 + 传统音乐　；参考：《西北师范大学》2008年硕士论文

【摘要】： 土族是我国众多少数民族中的一支,也是一个享有丰富传统文化资源的少数民族。在漫长的历史发展中,土族形成了自己独特的民族语言、民族服饰、民俗风情、宗教信仰和生活方式,特别是土族的传统音乐有着久远的历史和丰富的民族文化内涵。土族世代生活在我国西北地区,大部分聚居在青海省互助、大通、民和等县,少部分生活在甘肃省的天祝藏族自治县和永登县等地。本课题以聚居于天祝地区的土族作为研究对象,从民族音乐学、文化人类学和民俗学角度出发,对该地区的土族音乐文化进行定向、微型的实地考察与初步研究,试图从这部分土族族群中探寻出土族传统音乐多重文化的内在结构。本文共分四个部分：第一部分,笔者查阅了近50年来有关土族传统音乐研究的著作和论文,其研究目标主要集中在对青海省的土族传统音乐研究上,并侧重于音乐本体,音乐与民俗,音乐与文化的研究。虽然在一些资料中也有对同样具有典型土族文化特质的甘肃省土族传统音乐文化的描述,但内容较为简略,研究不够深入,故而笔者想对甘肃天祝土族音乐做一次详尽、深入的研究,希望能为甘肃的土族传统音乐资料做以填充。第二部分,综合概述了天祝土族的历史族源、生态环境、人文环境(土族语言、土族服饰、土族饮食、宗教信仰)及相关的土族音乐民俗活动,为理解天祝土族传统音乐的多重文化现象做铺垫。第三部分,首先对天祝土族历史中曾经有过的和至今仍流传的土族传统音乐做了综合描述,然后根据实地调查得来第一手资料——现在流传于天祝地区的土族传统音乐,做文化背景、音乐内容、音乐形态、表演方式、表演场合等方面的介绍和分析。第四部分,在天祝土族音乐文化调查、研究、分析的基础上结合民族音乐学、文化人类学知识,对天祝土族传统音乐中的多重文化进行层层剥离,分析天祝土族传统音乐中的文化多元性。
[Abstract]:The Tu nationality is one of the minorities in our country, and also a minority with rich traditional cultural resources. In the long history of development, the Tus have formed their own unique national language, national costumes, folk customs, religious beliefs and lifestyles, especially the traditional music of the Tus has a long history and rich national cultural connotations. The Tus lived in northwest China for generations, most of them living in mutual aid, Datong, Minhe and other counties in Qinghai Province, and a few in Tianzhu Tibetan Autonomous County and Yongdeng County in Gansu Province. This subject takes the Tu nationality living in Tianzhu area as the research object, from the point of view of ethnomusicology, cultural anthropology and folklore, this paper makes a orientation, miniature field investigation and preliminary research on the music culture of the Tu nationality in this area. This paper attempts to explore the internal structure of the multi-culture of Turkish traditional music from this part of the Tu ethnic group. This paper is divided into four parts: in the first part, the author has consulted the works and papers on the study of Tu's traditional music in the past 50 years, the research aim of which is mainly focused on the study of the traditional music of the Tu nationality in Qinghai Province. And focus on music ontology, music and folklore, music and culture. Although there is also a description of the traditional music culture of the Tu nationality in Gansu Province, which also has the characteristics of typical Turkish culture in some materials, the content is relatively simple and the study is not deep enough. Therefore, the author would like to make a detailed study on the music of the Tu nationality in Tianzhu, Gansu Province. Further study, hoping to fill in the traditional music materials of the Tu nationality in Gansu. In the second part, the author summarizes the historical origin, ecological environment, humanistic environment (Turkish language, Turkish dress, Turkish diet, religious belief) and the related folk music activities of the Tus. In order to understand the Tianzhu Tu traditional music multi-cultural phenomenon to do a foreshadowing. In the third part, first of all, it gives a comprehensive description of the traditional music of the Tus that has existed in the history of Tianzhu and is still circulating today. Then, according to the first-hand information obtained from the field investigation-the traditional music of the Tus that is now circulating in the Tianzhu area, Introduce and analyze the cultural background, music content, music form, performance style, performance occasion and so on. The fourth part, on the basis of the investigation, research and analysis of the music culture of Tianzhu Tu, combined with the knowledge of ethnomusicology and cultural anthropology, to peel off the multiple cultures in the traditional music of Tianzhu Tus. This paper analyzes the cultural diversity in the traditional music of Tianzhu Tu.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J607

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