20世纪80—90年代中国复调音乐理论发展的重要特征
发布时间：2018-08-16 12:06
【摘要】：20世纪80—90年代,中国复调音乐理论迎来了一段自身发展史上最为活跃的黄金期。本文简要概括这一时期的理论发展盛况,并通过综合思考与理性分析,提炼出80—90年代中国复调音乐理论发展的"开放性"、"主体性"和"实践性"的若干重要特征。
[Abstract]:In 1980-90's, Chinese polyphony music theory ushered in the most active golden period in its own history. This paper briefly summarizes the theoretical development of this period, and through comprehensive thinking and rational analysis, abstracts some important characteristics of the development of Chinese polyphony music theory in the 1980s and 1990s, such as "openness", "subjectivity" and "practicality".
【作者单位】： 浙江传媒学院音乐学院;
【分类号】：J614.2
本文编号：2185937
[Abstract]:In 1980-90's, Chinese polyphony music theory ushered in the most active golden period in its own history. This paper briefly summarizes the theoretical development of this period, and through comprehensive thinking and rational analysis, abstracts some important characteristics of the development of Chinese polyphony music theory in the 1980s and 1990s, such as "openness", "subjectivity" and "practicality".
【作者单位】： 浙江传媒学院音乐学院;
【分类号】：J614.2
【二级参考文献】
相关期刊论文 前2条
1 朱世瑞;中国音乐中复调思维的形成与发展(二)[J];中央音乐学院学报;1986年03期
2 陈铭志,林华;朱践耳音乐作品中的复调技巧运用[J];中国音乐学;1991年04期
，本文编号：2185937
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