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“新音乐运动”之研究

发布时间:2018-08-30 17:39
【摘要】: 作为中国近现代音乐史的重要组成部分,“新音乐运动”一直都颇受学术界的关注。然而,笔者在对“新音乐运动”概念释义的梳理中,发现了有些定义在时间、地域范围等方面存在相当的差异与相左,有的甚至相当模糊的现象。 本文主要是对“新音乐运动”这一特定历史名词的探索与研究,因此是建立在对文献研究为主的基础之上进行研究,以历史学的研究方法为主。要解决的主要问题是:对“新音乐运动”释义进行梳理,进而扩展到它产生的背景,运动的性质,具体的内容,发展的过程以及产生的影响等方面,对其进行一一的阐述。本文的主要论点是“新音乐运动”并非只是仅局限于国统区的革命音乐运动,它具有多样的形式与广泛的内容,在爱国民主斗争中发挥了巨大的战斗鼓动作用,在历史发展中占据着不可忽视的地位。
[Abstract]:As an important part of Chinese modern music history, the New Music Movement has been paid much attention by academic circles. However, in the explanation of the concept of "New Music Movement", the author finds that some definitions are quite different from each other in terms of time and geographical scope, and some are even quite vague. This paper is mainly about the exploration and study of the "New Music Movement", which is a particular historical term. Therefore, it is based on the research of literature, and mainly on the method of historical research. The main problems to be solved are: to sort out the interpretation of "New Music Movement", and then expand to the background, the nature of the movement, the specific content, the process of development and the impact of the new music movement. The main point of this paper is that the "New Music Movement" is not only limited to the revolutionary music movement in the areas controlled by the state, but also has various forms and contents, and has played a great role in the fight and agitation in the struggle of patriotism and democracy. It occupies an important position in the development of history.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J609.2

【引证文献】

相关硕士学位论文 前1条

1 姚冰;陕甘宁边区时期中国共产党宣传思想研究[D];兰州大学;2008年



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