自然音阶与三度叠置思维衍展的八声音阶相互作用——席曼诺夫斯基《第一弦乐四重奏》第三乐章多调性的构成与运作方式

发布时间：2018-09-17 13:00

【摘要】：《第一弦乐四重奏》第三乐章是席曼诺夫斯基中期创作的多调性作品,针对本曲的认识目前还停留在对开始四件乐器分别有各自不同调号现象上的表层描述阶段,本文借助技术理论领域主要对斯克里亚宾、德彪西和斯特拉文斯基音高结构体系的研究成果,寻求席曼诺夫斯基与其前辈及同时代作曲家在音高结构组织及多调性技法方面的内在联系,提出八声音阶为本曲音高深层结构基础、起控制和统一整体音高结构的论点,并对表层旋律的调性自然音体系与以三度叠置思维衍展的八声音阶相互作用的实践进行了论证性分析。
[Abstract]:The third movement is a polytony created by Simanovsky in the middle of this period. The understanding of this song is still at the stage of surface description of the phenomenon of different tones in the beginning of each of the four instruments. With the help of the technical theory field, this paper mainly studies the structure system of Skryabin, Debussy and Stravinsky pitch. Seeking the internal relationship between Simanovsky and his predecessors and contemporary composers in pitch structure organization and polytonicity techniques, the paper puts forward the argument that the eight sound order is the foundation of the deep structure of the pitch, which controls and unifies the overall pitch structure. The practice of the interaction between the natural tone system of the surface melody and the octave sound order developed by three degrees of superposition thinking is analyzed in this paper.
【作者单位】：中央音乐学院作曲系;
【分类号】：J614.3

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