威尔第歌剧《弄臣》中吉尔达的形象塑造探究及唱段分析.pdf 全文免费在线阅

  本文关键词：威尔第歌剧《弄臣》中吉尔达的形象塑造探究及唱段分析，由笔耕文化传播整理发布。

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艺术硕士学位论文Art master Thesis威尔第歌剧《弄臣》中吉尔达的形象塑造探究及唱段分析The image inquiry and ballads analysis of Gilda in Verdi’sopera “Rigoletto”李林莲Li Linlian西北师范大学音乐学院School of Music in Northwest Normal University2012 年 6 月June, 2012II摘要威尔第(Giuseppe Verdi,1813-1901)是 19 世纪意大利乃至西方歌剧史上最伟大的歌剧作曲家之一,一生中创作了 26 部歌剧,他在保留意大利歌剧精髓的基础上对其做出了重要的发展,使歌剧这一艺术形式更加富有戏剧性和抒情性。他创作的绝大部分作品至今传唱不衰。《弄臣》是他创作高峰时期里程碑式的作品,赋予了剧中人物真实的人性特点和深刻的思想性。其中女主角吉尔达是他成功塑造的人物典型,具有鲜明、丰富、生动的人物形象特征,她的两首咏叹调细致地刻画出这一人物的精髓。本文通过理论分析、谱例研究、文献资料查阅整理等方法,对剧吉尔达的形象塑造及其两首咏叹调进行探究和分析,以准确把握人物特征和声音的表现魅力。这对于自身音乐素养、艺术鉴赏能力的提高,歌唱声音的运用都具有非常重要的意义。本文分为三个部分:(1)绪论,简要概述本论文的研究现状,明确论文的研究重点。(2)歌剧《弄臣》女主角吉尔达的人物形象塑造。介绍威尔第歌剧《弄臣》的剧情,探究如何塑造吉尔达的戏剧和音乐形象。(3)对吉尔达的两首咏叹调进行分析。分别从剧情、音乐、声音、情感方面分析来塑造吉尔达的人物形象。关键词:《弄臣》;吉尔达;形象塑造;唱段分析IIIAbstractGiuseppe Verdi(1813-1901) is the great poser in the 19th century’s Italyand the western opera history. He created 26 operas in his whole life. He made animportant development based on keeping in the essence of Italian opera, and made theart form of opera more dramatic and lyricism. The most of the works that he created isknown well.The opera “Rigoletto” is the landmark work in his creation peak period, given thecharacters of real human nature and profound thought. Actress Gilda has the typicalcharacter in his ess creation, has the rich and lively music image. Her two ariashave depicted the figure’s essence in meticulous detail. This article through themethod of theoretical analysis, music score research and literature reviewingarrangement, to analysis the characters’ relations, personalities and Gilda’s two ariaesand create this music image.In order to grasp the performance of voice and thecharacter of the charm. This for our own music quality improvement, the use ofsinging voice and the art appreciation of the ability has the vital significance.This paper is divided into three parts: The first part is introduction, it briefly discussesthe present situation of the study, clarifies the focus of this paper. The second partintroduces Verdi’s opera situation and explore how to build the drama and musicimage of Gilda. The third part analyzes the two arias of Gilda. Mainly through theanalysis for Gilda’s two arias of “Caro nome” and “Tutte le feste al tempio mentrepregava Iddio”, respectively from the plot, the music, the voice, the emotion to shapeGilda’s role.Key words: “Rigoletto”; Gilda; image model; ballad analysis目录独创性声明................................................................................................................... I摘要..........................................................................................................................IIAbstract...................................................................................................................... III绪论...........................................................................................................................1一、歌剧《弄臣》中吉尔达的形象塑造...............................

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  本文关键词：威尔第歌剧《弄臣》中吉尔达的形象塑造探究及唱段分析，，由笔耕文化传播整理发布。