勃拉姆斯两首中提琴奏鸣曲的音乐分析和演绎研究

发布时间：2019-01-16 09:24

【摘要】： 约翰内斯·勃拉姆斯是浪漫主义时期最重要最有个性的室内乐作曲家之一。勃拉姆斯两首中提琴奏鸣曲作为19世纪晚期室内乐的经典，在中提琴独奏曲目中占有极其重要的地位。本文结合前人既有成果，从创作背景音乐结构与创作技法演绎分析和重要版本的对比等多方面对勃拉姆斯的两首中提琴奏鸣曲作了全面地初步研究，尤其结合了勃拉姆斯室内乐创作的总体风格，进一步从中提琴演奏的角度，分析了这两首作品的演奏特性和美学内涵。本文由绪言、结语和三个章节构成。绪言主要概括了勃拉姆斯晚期室内乐风格的一般特征，指出这两首作品的总体风格语境。第一章第一节从音乐史的角度，结合勃拉姆斯生平，展示了这两首作品产生的历史背景，第二节和第三节采用音乐分析的手法，对两首奏鸣曲的曲式结构和声特点以及音乐表现力作了细致的分析，以为增强演绎者对于作品的整体把握。第二章第一节概述了浪漫主义时期独奏中提琴音乐的总体特征和勃拉姆斯对中提琴的运用，第二节和第三节结合笔者的演奏实践，对两首作品的演绎过程和重要技术环节作了全面而细致地分析。此为本文的重点第三章在第二章的基础上，对这两首作品的代表性的重要版本作了比较，分别结合各位演奏大师自身的技术特点和演奏风格，指出其演绎的特征所在。结语通过以上各方面的梳理，，指出勃拉姆斯中提琴奏鸣曲在19世纪室内乐与中提琴独奏文献中的地位。
[Abstract]:Johnannes Brahms is one of the most important and individualized chamber composers in the Romantic period. Brahms' two viola sonatas, as the classical chamber music in the late 19 th century, play an extremely important role in the viola solo. Based on the existing achievements of predecessors, this paper makes a comprehensive preliminary study on Brahms' two viola sonatas from many aspects, such as the structure of the background music, the deductive analysis of creative techniques and the comparison of important versions. In particular, combining the general style of Brahms chamber music creation, the performance characteristics and aesthetic connotation of the two works are analyzed from the perspective of viola playing. This paper is composed of preface, conclusion and three chapters. The preface summarizes the general features of the late Brahms chamber music style and points out the general style context of the two works. The first section of the first chapter shows the historical background of the two works from the perspective of music history and the life of Brahms. The second and third sections adopt the method of music analysis. This paper makes a careful analysis of the musical structure and harmony characteristics of the two sonatas and their musical expressiveness in order to enhance the overall grasp of the works by the deductors. The first section of the second chapter summarizes the general characteristics of solo viola music during the Romantic period and Brahms' use of the viola. The second and third sections combine the author's performance practice. The deductive process and important technical links of the two works are analyzed in detail. On the basis of the second chapter, the author compares the representative versions of the two works, and points out their deductive characteristics by combining the technical characteristics and performance styles of the masters themselves. The conclusion points out the position of Brahms viola sonata in the 19th century chamber music and viola solos.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J622.2

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