论音乐技术及其异化
发布时间：2019-01-17 10:39
【摘要】： 音乐技术在我们的音乐活动中扮演着不可或缺的角色,没有哪个学音乐的人说自己是完全脱离技术而完成音乐作品的创作与表现的,但明确的音乐技术概念对于许多人来说又是模糊的,所以本文试图抛开大量文章已经研究过的具体音乐创作、表演等方面的的技巧,试图从宏观的层面分析音乐技术的一些问题。如技术的哲学含义、音乐技术的概念、本质、结构、音乐技术的异化等。本文的逻辑思路是:技术--物质世界技术—精神世界技术—音乐技术。全文共分六章:第一章,绪论。在综述所参阅相关理论书籍的基础上,提出了本文所要讨论的音乐技术及其异化;第二章,首先科学界定技术定义,然后从哲学层面讨论物质世界的技术和精神层次的技术,分别从定义、要素、本质三方面进行说明,为后面章节做好充分的理论基础;第三章,音乐技术。这是本文论述的重点,主要阐释了音乐技术的定义、结构特点及作用,以及音乐技术在中外历史中的演变;第四章,从物质世界技术两重性及技术的异化,引出音乐技术的两个层面及其异化,揭示了音乐技术异化的表现形式,如现代音乐作品的异化,当代中国音乐教育中技术的异化等;第五章,针对以上所分析的音乐技术及其异化,提出我们该如何正确处理技术与情感的关系,如何将音乐技术更好地与音乐作品相融合,达到人类至善至美的艺术境界。
[Abstract]:Music technology plays an indispensable role in our music activities. No one who studies music says that he is completely divorced from technology to complete the creation and expression of music works. But the clear concept of music technology is vague for many people, so this paper tries to put aside the specific music creation, performance and other techniques that have been studied in a large number of articles. This paper tries to analyze some problems of music technology from the macro level. Such as the philosophical meaning of technology, the concept, essence, structure and alienation of music technology. The logic of this paper is: technology-material world technology-spirit world technology-music technology. The full text is divided into six chapters: chapter one, introduction. On the basis of reviewing the relevant theoretical books, this paper puts forward the music technology and its alienation to be discussed in this paper. In the second chapter, the definition of technology is defined scientifically, and then the technology of material world and the technology of spiritual level are discussed from the philosophical level. The definition, elements and essence of the technology are explained in order to provide a good theoretical basis for the later chapters. The third chapter, music technology. This is the focus of this paper, mainly explains the definition of music technology, structural characteristics and functions, as well as the evolution of music technology in the history of China and foreign countries; Chapter four, from the duality and alienation of technology in the material world, leads to the two layers of music technology and its alienation, and reveals the forms of dissimilation of music technology, such as the alienation of modern music works. The alienation of technology in contemporary Chinese music education; In the fifth chapter, in view of the above analysis of music technology and its alienation, we put forward how to correctly handle the relationship between technology and emotion, and how to better integrate music technology with music works to reach the artistic realm of human being's supreme goodness and beauty.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J61
本文编号：2409975
[Abstract]:Music technology plays an indispensable role in our music activities. No one who studies music says that he is completely divorced from technology to complete the creation and expression of music works. But the clear concept of music technology is vague for many people, so this paper tries to put aside the specific music creation, performance and other techniques that have been studied in a large number of articles. This paper tries to analyze some problems of music technology from the macro level. Such as the philosophical meaning of technology, the concept, essence, structure and alienation of music technology. The logic of this paper is: technology-material world technology-spirit world technology-music technology. The full text is divided into six chapters: chapter one, introduction. On the basis of reviewing the relevant theoretical books, this paper puts forward the music technology and its alienation to be discussed in this paper. In the second chapter, the definition of technology is defined scientifically, and then the technology of material world and the technology of spiritual level are discussed from the philosophical level. The definition, elements and essence of the technology are explained in order to provide a good theoretical basis for the later chapters. The third chapter, music technology. This is the focus of this paper, mainly explains the definition of music technology, structural characteristics and functions, as well as the evolution of music technology in the history of China and foreign countries; Chapter four, from the duality and alienation of technology in the material world, leads to the two layers of music technology and its alienation, and reveals the forms of dissimilation of music technology, such as the alienation of modern music works. The alienation of technology in contemporary Chinese music education; In the fifth chapter, in view of the above analysis of music technology and its alienation, we put forward how to correctly handle the relationship between technology and emotion, and how to better integrate music technology with music works to reach the artistic realm of human being's supreme goodness and beauty.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J61
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