频谱音乐的组织结构
发布时间：2019-05-20 18:10
【摘要】： 本篇论文的目的是为了研究频谱音乐的组织结构,论文以第一代频谱乐派作曲家杰勒德·格瑞瑟、提斯坦·缪哈耶的作品为研究重点,辅助于第二代已经具有国际影响的“后频谱”作曲家的作品为佐证,深入探讨他们作品中反映出来的声学原理;借助电子仪器、电脑频谱分析来揭示构成这些作品的声音本质;探求他们把声学、电子理论运用于常规传统乐器的经验成果,并按照人们习惯的音乐“术科”分类标准,进行归纳、综合出频谱音乐旋律形态、和声建构、复调特征、曲式原则、配器原则等方面的“新”成果,总结出频谱音乐作品的组织结构特性。 文本结构分为上下两篇。其中上篇为理论建模与运用,分为:频谱基础、泛音的作用、音乐的结构力因素、频谱音乐的音高素材、频谱音乐的声音合成原理五章内容;下篇为实例求证,按照音乐“术科”分类标准归纳出六章内容。同时附有十二个附录,涉及计算公式、实验数据、频谱语图、相关定律、谱例图形和作曲家作品索引信息,它们是论文论证的重要论据,其中出现了音乐家们较少涉及的数理、声学专业术语,它们同样是不可省略、科学的推理依据。
[Abstract]:The purpose of this paper is to study the organizational structure of spectrum music. The purpose of this paper is to focus on the works of the first generation spectrum music composers Gerard Griser and Tistan Muhaye. Supported by the works of the second generation of "post-spectrum" composers, who have already had international influence, the acoustic principles reflected in their works are discussed in depth. With the help of electronic instruments, computer spectrum analysis reveals the sound nature of these works. To explore the empirical results of applying acoustics and electronic theory to conventional traditional musical instruments, and to sum up the melodies, harmony construction and polyphonic characteristics of spectrum music according to the classification standard of music "skill subject", which is used by people. The "new" achievements in the principles of music form and orchestration are summarized, and the organizational structure characteristics of spectrum music works are summarized. The text structure is divided into two articles. The first part is the theoretical modeling and application, which is divided into five chapters: spectrum basis, the function of overtone, the structural force factor of music, the pitch material of spectrum music, and the sound synthesis principle of spectrum music. The second part is an example to verify, according to the music "technical" classification standards summed up six chapters. At the same time, twelve appendices are attached, involving calculation formulas, experimental data, spectrum maps, related laws, spectral examples and index information of composers' works, which are important arguments for the argumentation of the paper, in which mathematics and mathematics, which are less involved by musicians, appear. Acoustics terms, they are also not omitted, scientific reasoning basis.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2008
【分类号】：J614
本文编号：2481847
[Abstract]:The purpose of this paper is to study the organizational structure of spectrum music. The purpose of this paper is to focus on the works of the first generation spectrum music composers Gerard Griser and Tistan Muhaye. Supported by the works of the second generation of "post-spectrum" composers, who have already had international influence, the acoustic principles reflected in their works are discussed in depth. With the help of electronic instruments, computer spectrum analysis reveals the sound nature of these works. To explore the empirical results of applying acoustics and electronic theory to conventional traditional musical instruments, and to sum up the melodies, harmony construction and polyphonic characteristics of spectrum music according to the classification standard of music "skill subject", which is used by people. The "new" achievements in the principles of music form and orchestration are summarized, and the organizational structure characteristics of spectrum music works are summarized. The text structure is divided into two articles. The first part is the theoretical modeling and application, which is divided into five chapters: spectrum basis, the function of overtone, the structural force factor of music, the pitch material of spectrum music, and the sound synthesis principle of spectrum music. The second part is an example to verify, according to the music "technical" classification standards summed up six chapters. At the same time, twelve appendices are attached, involving calculation formulas, experimental data, spectrum maps, related laws, spectral examples and index information of composers' works, which are important arguments for the argumentation of the paper, in which mathematics and mathematics, which are less involved by musicians, appear. Acoustics terms, they are also not omitted, scientific reasoning basis.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2008
【分类号】：J614
【引证文献】
相关期刊论文 前2条
1 黄灵悦;李林霄;曹露阳;卫佳;王新楚;;基于FM合成的多算子反馈模型的乐音重塑[J];电声技术;2014年02期
2 钱仁平;;频谱音乐的1/4音作曲技法——以葛瑞瑟《时间的漩涡Ⅰ》为例[J];音乐探索;2012年01期
相关硕士学位论文 前3条
1 蔡建纯;频谱音乐中的音色、时值与结构[D];中央音乐学院;2011年
2 戴维一;论基于电子音乐音响合成的创作思维[D];上海音乐学院;2010年
3 张李子;电子管弦乐与传统管弦乐配器之比较研究[D];中国地质大学;2013年
，本文编号：2481847
本文链接：https://www.wllwen.com/wenyilunwen/yinyuetheory/2481847.html
