On the Application of Iconicity in Poem Translation
发布时间：2024-04-26 06:32
语言象似性是认知语言学理论框架中的重要观点之一,是对索绪尔的语言符号任意说的挑战和补充,它激起了我们对语言符号本质的思考,并且揭示了语言和认知之间的关系。象似性理论认为语言形式与客观世界、经验结构、认知方式、概念系统、所表意义之间存在种种对应相似的理据性现象,人类语言是基于人类对于客观外界结构的感知,再进行认知加工形成的。象似性普遍存在于文学与非文学的篇章之中,诗歌当然也不例外。对于诗歌语言而言,象似性是其规则,并被强调为制约诗歌篇章结构的原则之一。 目前语言象似性领域的研究可谓是硕果累累,象似性研究也已经深入到了语言学研究的各个方面。然而,语言学家们的象似性研究主要还局限于理论层面。另外,虽然有些博士和硕士论文涉及象似性,但其数量却屈指可数。因此,这些论文还无法对翻译实践起到指引作用。鉴于此,本文将尝试系统地论述象似性在诗歌翻译实践中的应用。 本文将以认知语言学的象似性理论为指导,采用文献研究法,例证分析法以及逻辑推理法,从语音、顺序、形状、数量、距离、对称等典型象似性原则之角度,分析探讨诗歌所具有的象似性修辞特点与美感功能(包括视觉美及语言美)以及象似性翻译转换的问题。以期对诗歌翻...
【文章页数】：65 页
【学位级别】：硕士
【文章目录】：
Acknowledgement
Abstract (English)
Abstract (Chinese)
CHAPTER ONE INTRODUCTION
1.1 Studies on Iconicity in Translation
1.2 Purpose of the Thesis
1.3 Research Methods and Organization of the Thesis
CHAPTER TWO AN OVERVIEW OF ICONICITY IN LANGUAGE
2.1 Two Contradictory Recognitions about Language
2.1.1 Theory of Arbitrariness
2.1.2 Theory of Iconicity
2.2 Classification of Iconicity
2.2.1 According to Pierce
2.2.2 According to Other Scholars
2.3 Iconicity in Literature
CHAPTER THREE AN ICONIC APPROACH TO POEM TRANSLATION
3.1 Iconicity in Poems
3.2 Application of Imagic Iconicity in Poem Translation
3.2.1 Sound Iconicity and Translation
3.2.1.1 Onomatopoeia
3.2.1.2 Sound Image
3.2.2 Shape Iconicity and Translation
3.3 Application of Diagrammatic Iconicity in Poem Translation
3.3.1 Sequential Iconicity and Translation
3.3.1.1 Temporal Sequential Iconicity
3.3.1.2 Spatial Sequential Iconicity
3.3.2 Quantity Iconicity and Translation
3.3.3 Distance Iconicity and Translation
3.3.4 Symmetrical Iconicity and Translation
CHAPTER FOUR ICONIC TRANSLATION SERVING AS A MEANS TO REALIZE LIKENESS IN POETIC FORM
4.1 The Dispute between Likeness in Content and Form
4.1.1 The Argument for Likeness in Content Priority
4.1.2 The Argument for Likeness in Form Priority
4.1.3 The Argument for Likeness both in Content and Form
4.2 Iconic Translation Serving as a Means to Realize Likeness in Poetic Form
4.2.1 Lingual Beauty in Poetic Form
4.2.2 Visual Beauty in Poetic Form
4.2.3 Using Iconic Translation to Realize Likeness in Poetic Form
4.3 Analyses of Two Cases Using Iconic Translation
4.3.1 The Analysis of the Translation of the Second Part of Li Yu’s Gladly Meet(《相见欢》)from the Iconic Perspective
4.3.2 The Analysis of the Translation of George Herbert's Easter Wings from the Icon Perspective
4.3.3 Enlightenment Elicited from the Two Cases
CHAPTER FIVE CONCLUSION
5.1 Summary of the Whole Thesis
5.2 Implications
5.3 Limitations
5.4 Suggestions for Future Research
BIBLIOGRAPHY
本文编号：3964843
【文章页数】：65 页
【学位级别】：硕士
【文章目录】：
Acknowledgement
Abstract (English)
Abstract (Chinese)
CHAPTER ONE INTRODUCTION
1.1 Studies on Iconicity in Translation
1.2 Purpose of the Thesis
1.3 Research Methods and Organization of the Thesis
CHAPTER TWO AN OVERVIEW OF ICONICITY IN LANGUAGE
2.1 Two Contradictory Recognitions about Language
2.1.1 Theory of Arbitrariness
2.1.2 Theory of Iconicity
2.2 Classification of Iconicity
2.2.1 According to Pierce
2.2.2 According to Other Scholars
2.3 Iconicity in Literature
CHAPTER THREE AN ICONIC APPROACH TO POEM TRANSLATION
3.1 Iconicity in Poems
3.2 Application of Imagic Iconicity in Poem Translation
3.2.1 Sound Iconicity and Translation
3.2.1.1 Onomatopoeia
3.2.1.2 Sound Image
3.2.2 Shape Iconicity and Translation
3.3 Application of Diagrammatic Iconicity in Poem Translation
3.3.1 Sequential Iconicity and Translation
3.3.1.1 Temporal Sequential Iconicity
3.3.1.2 Spatial Sequential Iconicity
3.3.2 Quantity Iconicity and Translation
3.3.3 Distance Iconicity and Translation
3.3.4 Symmetrical Iconicity and Translation
CHAPTER FOUR ICONIC TRANSLATION SERVING AS A MEANS TO REALIZE LIKENESS IN POETIC FORM
4.1 The Dispute between Likeness in Content and Form
4.1.1 The Argument for Likeness in Content Priority
4.1.2 The Argument for Likeness in Form Priority
4.1.3 The Argument for Likeness both in Content and Form
4.2 Iconic Translation Serving as a Means to Realize Likeness in Poetic Form
4.2.1 Lingual Beauty in Poetic Form
4.2.2 Visual Beauty in Poetic Form
4.2.3 Using Iconic Translation to Realize Likeness in Poetic Form
4.3 Analyses of Two Cases Using Iconic Translation
4.3.1 The Analysis of the Translation of the Second Part of Li Yu’s Gladly Meet(《相见欢》)from the Iconic Perspective
4.3.2 The Analysis of the Translation of George Herbert's Easter Wings from the Icon Perspective
4.3.3 Enlightenment Elicited from the Two Cases
CHAPTER FIVE CONCLUSION
5.1 Summary of the Whole Thesis
5.2 Implications
5.3 Limitations
5.4 Suggestions for Future Research
BIBLIOGRAPHY
本文编号：3964843
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