新时期藏族女性母语小说现状研究

发布时间：2018-03-16 17:30

本文选题：当代文学　切入点：女性文学　出处：《西北民族大学》2011年硕士论文　论文类型：学位论文

【摘要】：20世纪50年代起,随着各藏区的和平解放,藏区教育事业随之兴起。自此,世俗教育即学校教育兴盛并几乎替代藏族传统教育即寺院教育。女性受教育的范围也从旧时贵族家庭的个别女性扩展到各个社会阶层的普通女性。尽管“文革”的十年浩劫,致使藏区传统文化蒙难,也使久违的平民教育的曙光一时蒙蔽,但民族政策的落实,再次推动了藏区文化教育事业的发展,尤其随着西藏、甘、青等地先后创办《西藏文艺》、《章恰尔》和《大赛尔》等藏语文学类期刊以来,母语文学创作迎来了前所未有的机遇。 1950年5月1日,《中华人民共和国婚姻法》的公布施行使男女平等和婚姻自由的理念得以推广。八十年代作为新旧文化与新旧观念激烈对抗的年代,“守旧”、“迷信”被讨伐,而“男女平等”、“婚姻自由”的观念则被广泛提倡。就在这一个新思想与新观念的萌茅期,个别藏族女性步入文学领域,开始踏上批判旧思想与旧观念的女性意识崛起之路,她们的文学主题以揭露非自由的婚姻和卑微的女性社会地位为主,以文学的形式呼吁“男女平等”和“婚姻自由”等新观念。由于藏族女性写作者为数不多,其作品数量也极为有限。因此,时下专门研究藏族现代女性作品的文章寥寥无几。作者身为藏族女性,对藏族女性作家的写作初衷深感认同,并对她们往后的创作寄予厚望,故选择将当代藏族女性母语小说现状研究作为毕业论文,试图对藏族女性母语小说进行理论分析和研究。文章共分三个章节,第一章概述女性文学的概念以及藏族女性小说的渊源：第二章为进一步了解藏族女性小说,简要介绍了以汉语创作的女性小说,并对藏族女性母语小说的主题以情感婚姻、遗风习俗、伦理规范进行分类研究,分析当代藏族女性小说的思想内涵：第三章通过评析藏族女性母语小说创作中创作者的思想内涵以及人物塑造的功过优劣来论述藏族新时代女性小说的不足之处。文章围绕“当代藏族女性母语小说”这一论题,通过前言、三个章节及结语等部分,特别是第二章节的新时期藏族女性母语小说的思想内涵华和第三章节藏族女性母语小说的不足之处为重点,凹显“藏族女性母语小说”的现状和前景。
[Abstract]:Since 1950s, with the peaceful liberation of various Tibetan areas, the cause of Tibetan education has risen. Since then, Secular education, that is, school education, flourished and almost replaced Tibetan traditional education, that is, monastic education. The scope of women's education also expanded from the old aristocratic families of individual women to ordinary women of all social strata. Despite the ten years of the "Cultural Revolution", This has caused difficulties to the traditional culture of the Tibetan area, and has also caused the dawn of long-lost civilian education to be blinded for a while. However, the implementation of the national policy has once again promoted the development of cultural and educational undertakings in the Tibetan region, especially with Tibet and Gansu. Since the establishment of Tibetan literature periodicals such as "Tibetan Literature and Art", "Zhang Chal" and "Dassel", the creation of native language literature has ushered in an unprecedented opportunity. In May 1st 1950, the promulgation and implementation of the Marriage Law of the people's Republic of China made the concept of equality between men and women and freedom of marriage popularized. 80s, as an era of fierce confrontation between old and new cultures and new and old ideas, "old-fashioned" and "superstitious" were attacked. However, the concepts of "equality between men and women" and "freedom of marriage" have been widely advocated. In the early days of this new idea and new concept, individual Tibetan women stepped into the field of literature and began to embark on the road to the rise of female consciousness that criticizes old ideas and old concepts. Their literary themes are mainly to expose non-free marriage and humble social status of women, and to call for new concepts of "equality between men and women" and "freedom of marriage" in the form of literature. Due to the small number of Tibetan female writers and the extremely limited number of their works, there are very few articles devoted to the study of modern Tibetan women's works. The author, being a Tibetan woman, deeply agrees with the original purpose of writing Tibetan female writers. They have high hopes for their later creation, so they choose to study the current situation of contemporary Tibetan women's mother tongue novels as graduation thesis, and try to carry out theoretical analysis and research on Tibetan women's mother tongue novels. The article is divided into three chapters. The first chapter summarizes the concept of female literature and the origin of Tibetan women's novels. The second chapter is about further understanding of Tibetan women's novels, which briefly introduces women's novels written in Chinese. And the theme of Tibetan women's mother tongue novels is classified into emotional marriage, customs and ethical norms. The third chapter discusses the shortcomings of Tibetan women's novels in the new era by analyzing the ideological connotation of the creators and the merits and demerits of the characters in the creation of Tibetan women's mother tongue novels. This paper focuses on the topic of "the novel of Contemporary Tibetan Women's Mother tongue", through the preface, three chapters and the conclusion, etc. Especially, the ideological connotation of the second chapter of the novel of Tibetan women's mother tongue in the new period and the deficiency of the third chapter of the novel of Tibetan women's mother tongue are the emphases, which shows the present situation and prospect of the novel of Tibetan women's mother tongue.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I207.42

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