50年代小说中的婚恋书写

发布时间：2018-05-08 11:46

本文选题：爱情 + 婚姻　；参考：《西南大学》2010年硕士论文

【摘要】： 婚姻爱情是文学史上永恒的话题,古今中外描写婚姻爱情的作品数不胜数,许多能够留传千古的作品都是以婚姻爱情为主题的。但是,在当代文学史上的十七年时期,婚姻爱情描写受到了政治的强烈干扰。文艺界对萧也牧的《我们夫妇之间》和路翎的《洼地上的“战役”》等小说的批判,使得作家们在创作时更加小心翼翼,不敢轻易去描写婚姻爱情。尽管爱情、婚姻这些字眼在“十七年”时期显得有些不合时宜,但是,在建国初的50年代文学史上,仍然有一批作家写出了一批描写婚姻爱情的作品,或者是一些涉及婚姻爱情的作品。本文主要探讨的是50年代文学中有关婚恋书写的特点以及政策对文学的影响,弄清楚作家是如何迎合国家政策的。本文主要是以50年代有关婚姻爱情描写的作品为主要研究对象,全文除引言和结语外共分为三章。引言部分主要是讨论在整个十七年的大时代背景下50年代小说中婚姻爱情出现的几次高潮,在前人的研究基础上来阐明本文的写作理由和研究目的。第一章主要讨论50年代初《婚姻法》背景下的婚恋创作,了解这些小说的书写模式,分析《婚姻法》对时代青年婚姻爱情的影响,以及它在婚姻爱情中所起的作用。第二章主要讨论“红色经典”中的婚恋创作,分析主人公们在革命与爱情的夹缝中,为追求自己所向往的爱情所付出的努力,以及他们对革命、爱情的独特理解。不论是在选择恋爱对象时,还是在整个恋爱过程中,主人公都要服从革命和政治的需要。第三章主要讨论“双百方针”影响下的“百花文学”创作,作家们受政策鼓舞放开了尺度,无论是在题材的选择上,还是婚姻爱情的书写上都是一个很大的突破,大量描写了男女主人公对婚姻爱情的渴望以及对现实婚姻的困惑,致使作品中流露出了一种苦涩意味。但是,在50年代的时代背景下,作家们受时代潮流的影响,依然不能彻底摆脱政治思想的束缚。因此,他们对婚姻爱情的书写也不可避免的打上了时代的烙印。结语部分主要探讨这三类作品由于政策的相对不同,各自呈现出的特色以及它们与政治的联系。
[Abstract]:Marriage and love is an eternal topic in the history of literature. However, during the 17-year period in the history of contemporary literature, the description of marriage and love was strongly interfered with by politics. Literary criticism of Xiao Yemu's "between us" and Lu Ling's "Battle on the low Land" makes writers more cautious in their work and dare not easily describe marriage and love. Although the words love and marriage were a bit out of date during the period of "seventeen years", in the literary history of the 1950s in the early years of the founding of the people's Republic of China, there were still a number of writers who wrote a number of works about marriage and love. Or something about marriage and love. This paper mainly discusses the characteristics of the writing of marriage and love in the 1950s and the influence of the policy on the literature, and finds out how the writer caters to the national policy. This paper mainly focuses on the works about marriage and love description in the 1950s. The full text is divided into three chapters except the introduction and the conclusion. The preface mainly discusses several climaxes of marriage and love in the novels of 1950s under the background of the whole 17 years, and expounds the writing reasons and research purposes of this paper on the basis of previous studies. The first chapter mainly discusses the creation of marriage and love under the background of "Marriage Law" in the early 1950s, understands the writing mode of these novels, analyzes the influence of Marriage Law on the marriage and love of the youth of the times, and its role in marriage and love. The second chapter mainly discusses the love and marriage creation in "Red Classic", analyzes the protagonists' efforts to pursue the love they yearn for in the gap between revolution and love, as well as their unique understanding of revolution and love. Both in the choice of love object and in the whole process of love, the protagonist has to meet the needs of revolution and politics. The third chapter mainly discusses the creation of "hundred Flowers Literature" under the influence of "double hundred principles". Writers have been encouraged by the policy to open up the yardstick. It is a great breakthrough both in the choice of subject matter and in the writing of marriage and love. A large number of descriptions of the hero's desire for marriage and love, as well as the confusion of real marriage, lead to a bitter feeling in the works. However, under the background of the 1950s, writers are still unable to shake off the shackles of political thoughts. Therefore, their writing of marriage and love is inevitably marked with the brand of the times. The conclusion mainly discusses the characteristics of the three kinds of works and their relationship with politics because of the relative differences in policies.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I207.42

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