从新民主主义到社会主义转变时期（1949——1956）政治宣传画艺术研究
发布时间：2018-10-26 06:48
【摘要】：宣传画是一个创作和表现与政治、经济、文化息息相关的画种,在20世纪中国风起云涌的社会背景下,呈现出了与其历史时期相对相应而又多姿多彩的面目和风格。作为在20世纪中国政治宣传画的发展嬗变轨迹中具有分水岭标志的时期,从新民主主义到社会主义转变时期(1949-1956)具有自己的独特风貌,本文从艺术特征、影响因素和地位价值等几方面对这一时期的政治宣传画进行了阐述。 艺术特征上,从新民主主义到社会主义转变时期(1949-1956)的政治宣传画在主题和题材上由此前的主要以反对帝国主义、封建主义(如反对八国联军、北洋政府及抗日战争、解放战争等)的讽刺性、战斗性的政治宣传画演变为以表现这个时期的新中国的生产和建设(如抗美援朝、三反五反、婚姻法、增产节约等主题)为主的歌颂性的政治宣传画;在画面形式上建国前的政治宣传画多是以漫画、讽刺画和木刻等的形式出现,这些宣传画多具有主题突出鲜明、形象粗犷简洁、色彩黑白对比强烈等特点;建国后的则多以油画、水粉、国画、年画等形式绘出,风格上也一变此前面目而呈现出形象塑造结实有力、背景激越复杂、色彩鲜明热烈等特征风貌;伴随着从新民主主义到社会主义转变时期(1949-1956)的到来,宣传画的创作队伍出现了多元化的趋势,首先是专业创作队伍的创建,一批专门的宣传画画家出现了,如哈琼文、翁逸之、吴敏、游龙姑、吴性清、钱大昕、杨文秀、张汝济等等。以木刻、漫画等替代宣传画的境况也得到改观。同时,作为在建国初期走在造型艺术前列的政治宣传画艺术,
[Abstract]:Poster painting is a kind of painting which is closely related to politics, economy and culture. Under the social background of the 20th century, it presents a variety of colors and styles corresponding to its historical period. As a period marked by watershed in the development and evolution of Chinese political posters in the 20th century, the transition period from New Democracy to Socialism (1949-1956) has its own unique style and features. The influence factors and status value of the political posters of this period are expounded. In terms of artistic characteristics, the themes and themes of the political posters in the period of transition from New Democracy to Socialism (1949-1956) were mainly opposed to imperialism and feudalism (such as against the allied forces of the eight powers, the Beiyang government and the War of Resistance against Japan). The satire of the war of liberation and so on, the battle political propaganda has evolved into the political propaganda painting which mainly expresses the production and construction of the new China in this period (such as resisting US aggression and aiding Korea, opposing the five evils, marriage law, increasing production and saving, etc.); In the form of pictures before the founding of the people's Republic of China, most of the political posters appeared in the form of comics, caricatures and wood carvings. These posters were characterized by prominent themes, rough and concise images, strong contrast in color and black and white, and so on. After the founding of the people's Republic of China, oil painting, water powder, traditional Chinese painting, New year painting and other forms of painting, style is also a change before the face of the image to shape strong and powerful, the background is more complex, bright and warm color and other features; With the arrival of the transition period from New Democracy to Socialism (1949-1956), the creative team of propaganda paintings appeared the trend of diversification, first of all, the creation of professional creative team, a number of special posters and painters appeared, such as Ha Qiongwen, Weng Yizhi, Wu Min, you Longgu, Wu Xiqing, Qian Daxin, Yang Wenxiu, Zhang Ruji and so on. The situation of alternative posters, such as wood carvings and comics, has also been changed. At the same time, the art of political propaganda, which was at the forefront of plastic arts in the early days of the founding of the people's Republic of China,
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J209.2
本文编号：2294899
[Abstract]:Poster painting is a kind of painting which is closely related to politics, economy and culture. Under the social background of the 20th century, it presents a variety of colors and styles corresponding to its historical period. As a period marked by watershed in the development and evolution of Chinese political posters in the 20th century, the transition period from New Democracy to Socialism (1949-1956) has its own unique style and features. The influence factors and status value of the political posters of this period are expounded. In terms of artistic characteristics, the themes and themes of the political posters in the period of transition from New Democracy to Socialism (1949-1956) were mainly opposed to imperialism and feudalism (such as against the allied forces of the eight powers, the Beiyang government and the War of Resistance against Japan). The satire of the war of liberation and so on, the battle political propaganda has evolved into the political propaganda painting which mainly expresses the production and construction of the new China in this period (such as resisting US aggression and aiding Korea, opposing the five evils, marriage law, increasing production and saving, etc.); In the form of pictures before the founding of the people's Republic of China, most of the political posters appeared in the form of comics, caricatures and wood carvings. These posters were characterized by prominent themes, rough and concise images, strong contrast in color and black and white, and so on. After the founding of the people's Republic of China, oil painting, water powder, traditional Chinese painting, New year painting and other forms of painting, style is also a change before the face of the image to shape strong and powerful, the background is more complex, bright and warm color and other features; With the arrival of the transition period from New Democracy to Socialism (1949-1956), the creative team of propaganda paintings appeared the trend of diversification, first of all, the creation of professional creative team, a number of special posters and painters appeared, such as Ha Qiongwen, Weng Yizhi, Wu Min, you Longgu, Wu Xiqing, Qian Daxin, Yang Wenxiu, Zhang Ruji and so on. The situation of alternative posters, such as wood carvings and comics, has also been changed. At the same time, the art of political propaganda, which was at the forefront of plastic arts in the early days of the founding of the people's Republic of China,
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J209.2
【引证文献】
相关博士学位论文 前1条
1 陆永祥;陕西革命历史题材绘画研究[D];西安美术学院;2010年
相关硕士学位论文 前2条
1 邹灿;“大跃进”时期的宣传画与政治社会化[D];南开大学;2011年
2 郝莉颖;哈琼文的宣传画研究[D];华东师范大学;2010年
，本文编号：2294899
本文链接：https://www.wllwen.com/falvlunwen/hyflw/2294899.html
