闽南、粤东、台湾庙宇屋顶装饰文化研究

发布时间：2018-05-01 18:09

本文选题：建筑美学 + 庙宇　；参考：《华南理工大学》2014年博士论文

【摘要】：庙宇乃闽、粤、台三地信仰之寄托及其庶民文化之荟萃，屋顶装饰内容与装饰形式，完整体现此三地庶民文化的时代性与地域性。藉由装饰图像的分析研究认识蕴藏于审美现象背后的审美意涵与审美规律，是美学研究向建筑历史探索和理论落实的重要贡献。本文以广泛而扎实的调研，对闽南、粤东、台湾这文化与地缘关系深厚紧密的三地庙宇屋顶装饰进行分析，藉由建筑学、文化学、图像学等跨学科领域的角度，析以功能性、文化性、地域性之论证，解读装饰图像隐藏的深层蕴意与文化象征，揭示长久以来隐匿于闽、粤、台三地庙宇屋顶，晦而未明的审美逻辑关系与理论系统。三地区庙宇高度相似的建筑布局与风格，归因于相似的自然环境与同源的文化背景，深受封建文化与礼教制度的影响，呈现于和谐有序、敬天重人、师法自然、细腻琐碎、亲海而艳彩的装饰风格。装饰体量、图样、材料与技法之差异，则导因于地域性气候、社会、物产、经济与科技发展之差异，以致于形成台湾之装饰形式、图样、体量、材料较闽粤两地更多元且丰富。经多层次之装饰解读，导引出三地文化承袭建构潜在共性、地域特性造就审美风格、以及时代发展导引审美价值的建筑审美文化特征，藉由“敬”、“畏”的态度与五行、风水的理论克服潜在恐惧，体现以海为主的文化属性，凝聚出紧密且浓烈的认同感，衍生出追高竞丽的炫耀性，并汇聚形成纳新守旧以博采兼融的审美价值。庙宇屋顶装饰呈现三地人民坚守的传统精神、追寻的生存价值，藉由从建筑美学入手之审美文化研究，是真正深入认识三地建筑、文化、社会差异，理解地域性文化当前处境与困境之手段，也是探求地域性潜在文化、建立彼此深层互动的有效方法，对庙宇屋顶装饰此重要文化资产除极需予以重视，更应投入更高度之研究与保护。
[Abstract]:Temples are the sustenance of the three places of Fujian, Guangdong and Taiwan, and the gathering of the common people's culture, the contents and forms of the decoration on the roof, which fully reflect the epoch and regionality of the common people's culture in these three places. Through the analysis and study of decorative images, it is an important contribution of aesthetic research to the exploration of architectural history and the implementation of theory to understand the aesthetic meaning and the aesthetic law hidden behind the aesthetic phenomena. Based on extensive and solid research, this paper analyzes the roof decoration of temples in the three places where the culture of South Fujian, East Guangdong and Taiwan is closely related to geography. From the perspective of architecture, culturology, graphics and other interdisciplinary fields, this paper analyzes the functionality. The demonstration of culture and region, the interpretation of the deep implication and cultural symbol of decorative images, reveals the aesthetic logic relationship and theoretical system hidden in the temple roofs of Fujian, Guangdong and Taiwan for a long time. The highly similar architectural layout and style of the temples in the three regions are attributed to the similar natural environment and the same cultural background, deeply influenced by the feudal culture and the ethical system, and presented in harmony and order, respecting people, learning from the law and nature, being delicate and trivial. Pro-sea and colorful decoration style. The difference between decorative volume, design, material and technique is due to the difference of regional climate, society, product, economy and science and technology, resulting in the formation of Taiwan's decorative form, design, volume, and materials more diverse and abundant than that of Fujian and Guangdong. Through the multi-level decoration and interpretation, we can guide the three places to inherit and construct the latent commonness, the regional characteristics to bring up the aesthetic style, and the architectural aesthetic culture characteristic of the times to guide the aesthetic value, through the attitude of "respect" and "fear" and the five elements. The theory of geomantic water overcomes the latent fear, embodies the cultural attribute of the sea as the main, condenses the close and strong sense of identity, derives the dazzling nature of chasing Gao Jingli, and converges to form the aesthetic value of conserving the old and the new. The temple roof decoration presents the traditional spirit held by the people of the three places and the survival value pursued. By studying the aesthetic culture starting from the architectural aesthetics, it is true to deeply understand the architectural, cultural and social differences among the three places. Understanding the current situation and predicament of regional culture is also an effective way to explore regional potential culture and establish deep interaction with each other. Besides, the important cultural asset of temple roof decoration should be attached great importance to. More should be invested in a higher level of research and protection.
【学位授予单位】：华南理工大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：TU-86;TU238

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