基于认知美学的工业产品设计研究

发布时间：2018-02-03 19:47

本文关键词： 体验设计认知美学审美知觉模式 n身体验　出处：《吉林大学》2014年硕士论文　论文类型：学位论文

【摘要】：本文探讨工业产品的“形态设计”在时代背景下，要如何应对人对物品的“体验需求”，与物对人行为的“启发”与“规诫”，以及讨论在生态环境中“人”、“人造物”、“生态”之间的关系，提出时代背景下的工业产品设计美学理论的深入方向。从认知科学美学角度，以科学化的美学理论为产品设计提供普遍性的理论建构平台；综合的用户知觉经验，研究具有参考性的用户审美知觉模式建构原理；对认知的一般机制研究有益于产品设计应对复杂多变的社会文化背景研究审美活动的时效性与趋众性；基于人类社会实践的审美活动研究有益于促进设计美学理论实现产品自身与用户的交互。同时设计理论必须深入进行哲学的思考，入探讨物（Artifact）或者环境(Ambience)是如何使人的内在感知和意识能力在实体的世界中，有意识或无意识地被激活、被丰富，因此产品之“美”即可理解为产品的“亲和力”。本文的研究目的就是对产品的“亲和性”进行系统的诠释，设计实践就是在用户主观理解与产品客观表象之间搭建起一个“可感性”场域。还需辩证讨论认知美学对于设计活动的指导性意义与，也就是以主客二分的认知美学为理论工具，创造“主客观相统一”的人造事物。提出设计的主客观相统一本质，不仅体现在物的形成过程，，还是物本身的存在“可能性”。
[Abstract]:Under the background of the times, this paper discusses how to deal with the "experience demand" of human beings, the "inspiration" and "precepts" of human behavior, and the discussion of "human beings" in the ecological environment under the background of the industrial products'"form design" in the background of the times. The relationship between "man-made creation" and "ecology" puts forward the in-depth direction of the aesthetic theory of industrial product design under the background of the times. From the perspective of cognitive science aesthetics, the scientific aesthetic theory provides a universal theoretical construction platform for product design. Synthesizes the user perception experience, studies the user esthetic perception pattern construction principle which has the reference; The research on the general mechanism of cognition is beneficial to the study of the timeliness and popularity of the aesthetic activities of product design in response to the complex and changeable social and cultural background. The study of aesthetic activities based on human social practice is beneficial to promote the design aesthetics theory to realize the interaction between the product itself and the user. At the same time, the theory of design must be deeply philosophical to explore how the material Artifact or the environment makes people's inner perception and consciousness in the physical world. Consciously or unconsciously activated and enriched, the "beauty" of the product can be understood as the "affinity" of the product. The purpose of this paper is to interpret the "affinity" of the product systematically. Design practice is to build a "perceptual" field between the subjective understanding of the user and the objective representation of the product. It is also necessary to dialectically discuss the guiding significance and significance of cognitive aesthetics for design activities. That is to say, with the cognitive aesthetics of subjective and objective as the theoretical tool, to create "subjective and objective unity" artificial things. The design of subjective and objective unity essence, not only reflected in the formation process of things. Or the existence of the thing itself "possibility".
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TB472

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