形态背景下的速度体表现与研究

发布时间：2018-03-02 14:43

本文选题：形态表现　切入点：速度体形态　出处：《鲁迅美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：创世以来人类借着上帝赐予的智慧和丰富的材料制造出数不尽的作品与产品。这些产品蕴含着时间,空间,技术,文化,历史等领域上的成就与人类的探索精神。从最早的洞穴壁画和石器时代的简单工具不难看出人类对于上帝创造的世界很早就产生了敬意和赞美之心。造物与创作也自然成为人类满足物质需求和精神需求并歌颂上帝和赞美自然的表达方式。将自然界的事物通过概括,符号化整理,功能性分析,和情感表达的自然流露,形成了人类自有的创作方法和造物法则。这些创作方法与造物法则形成的过程也是人类从感知世界到认知自己的学习过程。这一过程中基于视觉与触觉在人类感官中的重要作用,在造物与创作中探索不同的视觉体验与触觉感受成为创作方法与造物法则研究中的不变主题。在产品设计中触发视觉,触觉,以及心灵及情感体验的因素有很多。本文着重以形态为研究背景,对速度体形态在产品设计中的表现及应用进行论述与研究。随着人们对生活方式和生活品质要求的不断提高。世界范围内以建筑,交通工具,生活用品,家具,公共设施,装饰性饰品,服装等为主要经营方向的各大企业,机构和品牌也展开了经济实力与设计实力的比拼。在探索新科技,新材料,新功能,新模式的同时,形态与外观依然是主导消费者选择时不容轻视的重要砝码。设计领域在历史上不同时期掀起过一轮轮的流行风潮。但在众多流行风潮平息冷静过后,我们不难发现,大多数设计产品的形态与造型在某一时间段内都趋于“无奈的相似”甚至被称为“套娃设计”。但这也与人类在不同阶段的审美需求历史背景有着重要联系。设计没有边界,更没有标准答案,我们只能在各自所属的时代尽力去探索隐藏在设计背后的真理和意义。带着对未来产品样式,功能以及使用方式的憧憬,我展开了思考。意义在于进一步通过对形态及表现方法的研究,探索未来造型设计的发展方向以及形态在产品设计中新的价值和意义。
[Abstract]:Since the creation of the world, mankind has produced countless works and products with God's wisdom and abundant materials. These products contain time, space, technology, culture, From the earliest cave murals and the simple tools of the Stone Age, it is not difficult to see that the world created by God has been respected and praised for a long time. Nature also becomes a way of expressing human beings' material and spiritual needs and praising God and praising nature. Symbolic arrangement, functional analysis, and natural expression of emotion, This process is also a learning process from perceiving the world to knowing oneself. This process is based on the sense of vision and touch. The important role of officials, Exploring different visual experiences and tactile feelings in creation and creation has become a constant theme in the study of creative methods and laws of creation. There are many factors in the mental and emotional experience. This paper discusses and studies the performance and application of velocity body shape in product design. With the continuous improvement of people's life style and quality of life, the construction, transportation, daily necessities, furniture, public facilities are used in the world. As well as exploring new technologies, new materials, new functions and new models, the major enterprises, institutions and brands in which decorative ornaments and clothing are the main business direction have also launched a competition between economic strength and design strength. Shape and appearance are still important weights that should not be taken lightly when leading consumers' choices. The design field has set off a wave of popularity at different times in history. But after many popular trends have calmed down, it is not difficult to find out. The shape and shape of most design products tend to be "helplessly similar" or even called "set design" within a certain period of time. But this also has an important connection with the historical background of human aesthetic needs at different stages. Design has no boundary. Without a standard answer, we can only explore the truth and meaning hidden behind the design in our own time. With a vision of the future product style, function and use, The significance lies in the further research on the form and expression method to explore the developing direction of the shape design in the future and the new value and significance of the form in the product design.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TB472

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