“欹器”文创产品设计研究报告

发布时间：2018-03-23 23:18

本文选题：欹器　切入点：中国传统文化　出处：《浙江理工大学》2017年硕士论文

【摘要】：近年来,国内先后爆发塑化剂、毒淀粉、劣质油品及茶饮品掺杂化学制品等事件,重伤中国“美食王国”的国际形象,因为商人为了满足市场价格、供货稳定,故有了使用劣质品、化学品以次充好。人们盲目追求功禄名利,失去了品德最基本的诚信。欹器作为中国传统礼器,秉承着儒家学派的一贯传统,仿佛钢筋水泥都市里的一股清泉。孔子曰:“虚则欹,中则正,满则覆。”。儒家学说并没有因为,时代变迁而变得迂腐、呆板,在每个时代都绽放着它应有的光彩。公共艺术,不仅仅只是一个大众的审美,而是一个时代精神的体现。树立正确的价值观尤为重要。欹器最早作为打水的器皿,被广泛使用。当它被赋予了中庸之道后,便成为君子之间互相馈赠的礼器,人人以中正为美,这就是一个时代精神的体现。欹器文创产品的开发显得尤为重要。随着科学技术的发展,新的工业材料层出不穷,设计师有了更多的选择。中国20年走完,国外100年的道路,新奇的设计理念不断冲击着中国市场。人们有了更多的想法和要求,已经不单单是对其功能性的要求。中国当代设计师应该顺应时代发展的潮流,在吸纳新鲜设计理念的同时,结合本土的精神理念和传统元素,在符合现代公共审美的基础之上,进行个人的艺术创作。欹器这一传统礼器与现代公共艺术设计思维相碰撞,必定绽放耀人的光彩。本文通过欹器文创产品的设计研究,对公共艺术在结合传统文化进行再创作的思路和方法进行梳理、分析和总结。通过“欹器”设计研究,构建传统文化文创产品开发的方向,规范创作思路,提高对元素应用的敏锐性,提高创作设计的效率。本文主要分五个部分:第一部分为绪论,内容主要为对研究的对象、相关概念进行阐释,并对选题的来源、研究的目的与意义、研究的思路与方法进行阐述。第二部分是对“欹器”产品设计的现状做调研,以“欹器”淘宝设计为例,分析产品材质、材料价格、设计元素、功能性、美观性、受众群体等相关属性。创作中的价值并总结调研情况及指导意义。第三部分是对“欹器”文创产品的设计的时代背景以及当代艺术发展历史进行梳理,从历史经验中寻找其创作思想的发展脉络。第四部分是对“欹器”文创产品设计进行归纳并从两方面入手剖析,一是设计对文化的借鉴,二是设计对文化的置换与重构,并阐述“欹器”产品设计的可能性及文化性。第五部分是个人创作实践报告,从创作实践入手对“欹器”设计进行研究,从中总结创作经验。结语部分是由个人创作实践引发的关于“欹器”文创产品开发的思考。
[Abstract]:In recent years, domestic incidents such as plasticizer, toxic starch, inferior oil and adulterated chemical products have seriously injured the international image of China's "food kingdom," as businessmen supply stable supplies in order to meet market prices. Therefore, with the use of inferior products, chemicals become inferior. People blindly pursue fame and gain, and lose the most basic integrity of morality. As a traditional Chinese ritual device, the interjector adheres to the consistent tradition of the Confucian school. It was like a clear spring in the city of reinforced concrete. Confucius said, "if you are empty, you are right, you are full.". Confucianism has not become pedantic and rigid because of the changes of the times. In every era, it blooms with its due luster. Public art, It is not just a popular aesthetic, but an embodiment of the spirit of the times. It is particularly important to set up correct values. Interviewees were first widely used as utensils for drawing water. When it was given the golden mean, It becomes a gift of gifts between gentlemen, and everyone takes Zhongzheng as a beautiful thing. This is the embodiment of the spirit of the times. The development of the products of the interjection is particularly important. With the development of science and technology, new industrial materials emerge in endlessly. Designers have more choices. China has completed 20 years, foreign 100 years of road, novel design concept constantly impact the Chinese market. People have more ideas and requirements, Chinese contemporary designers should conform to the trend of the development of the times, absorb new design ideas, combine local spiritual ideas and traditional elements, on the basis of modern public aesthetics. Personal artistic creation. This traditional ritual device collides with the modern public art design thinking, and it will surely shine brilliantly. Combing, analyzing and summing up the ideas and methods of re-creation of public art in combination with traditional culture, through the design and research of "interjector", to construct the direction of product development of cultural creation in traditional culture, and to standardize the creative thinking. This paper is divided into five parts: the first part is the introduction, the content is mainly to explain the object of study, related concepts, and the source of the topic. The purpose and significance of the research, the ideas and methods of the study are expounded. The second part is to investigate the current situation of "interjector" product design, taking Taobao design of "interjector" as an example, to analyze the product material, material price, design elements, functionality, etc. Aesthetic, audience groups and other related attributes. The value of the creation and summary of research and guidance. The third part is the "interjection" product design of the era background and contemporary art development history. The fourth part is to sum up and analyze the product design of "interjector" from two aspects, one is the reference of design to culture, the other is the replacement and reconstruction of culture by design. The fifth part is the report of personal creation practice, which starts with the research on the design of "interjector". The conclusion part is a reflection on the product development of "interjector" caused by personal creation practice.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TB472

【相似文献】