贵州苗族蜡画纹饰在现代产品设计中的运用

发布时间：2018-05-28 13:12

本文选题：产品设计 + 运用　；参考：《重庆大学》2014年硕士论文

【摘要】：贵州苗族蜡染文化历史悠久，是我国著名的“蜡染之乡”，并且被国家评为首批非物质文化遗产，其历史可追溯到3000年前的秦汉时期。它是及传统文化与民间艺术为一体的大山瑰宝。贵州苗族蜡画源生于蜡染技艺，作为一种传统的工艺美术品种，逐渐被人们认知和喜爱。苗族民间艺人在绘蜡的过程中，美丽图案已现初形的过程使之蜡画应运而生。首先通过对贵州苗族、蜡染以及蜡画的历史脉络进行梳理性研究，探究苗族蜡画的起源，为后续研究奠定历史的基础。然后阐述贵州苗族蜡画的纹饰特点与图腾崇拜，进而分析它们的纹饰造型与图腾内涵,具有极高的文化艺术价值，并且提出将民族特色的图腾纹饰运用到现代产品设计中会让现代产品呈现出怎样的设计效果。其次使用分类归纳法与堤阶式比较法论述了贵州苗族蜡画纹饰在家居用品设计、服装服饰设计及工艺品设计中的运用，进而分析了人们对蜡画纹饰产生的审美新变化，研究出传统与现代相结合的碰撞理论，生产出更加符合现代人审美需求的创新产品，并且让民族的精神内涵渗透进人们的审美意识。而后总结出贵州蜡画纹饰在产品设计中的现代转换及其运用优势，，关注苗族蜡画纹饰运用现代的设计手法将其进行图形转换、色彩转换、立体转换以及材质转换；通过对贵州苗族蜡画的文献分析与田野调查，深刻探究了文化审美的标志性与纹饰艺术的独特性等优势。最后运用所得理论及方法进行创新性实践，形成学术研究与创新设计为一体的系统性研究，论证了贵州苗族蜡画纹饰在多元化的产品设计中运用的可行性与延展性。这样的设计既符合现代人的审美韵味，又引领国际时尚潮流，是审美与功能相结合的作品。通过研究贵州苗族蜡画纹饰在现代产品设计中的运用，让民族传统工艺得到传承与发扬的同时，也给现代产品设计输入了新鲜血液，体现了新型民族风产品中传统文化的内涵、民族文化的情调和自然美的意境。
[Abstract]:Guizhou Miao batik culture has a long history and is a famous "batik town" in China. It has been named as the first batch of intangible cultural heritage by the state. Its history can be traced back to the Qin and Han dynasties about 3000 years ago. It is and traditional culture and folk art as one of the mountain treasure. Guizhou Miao wax painting originated from batik art, as a kind of traditional arts and crafts, is gradually recognized and loved by people. Miao folk artists in the process of wax painting, the beautiful pattern has appeared in the process of wax painting came into being. Firstly, through combing the historical context of Guizhou Miao nationality, batik and wax painting, the origin of the Miao nationality wax painting is explored, which lays a historical foundation for the follow-up study. Then it expounds the decorative characteristics and totem worship of the wax paintings of Miao nationality in Guizhou, and then analyzes their patterns and totem connotation, which has a very high cultural and artistic value. And put forward how to apply totem ornaments with national characteristics to modern product design. Secondly, the paper discusses the application of wax painting patterns of Miao nationality in household products design, clothing design and handicraft design by means of classification induction and levee comparison, and then analyzes the new aesthetic changes of wax painting patterns. This paper studies the collision theory of the combination of tradition and modern, produces innovative products that meet the aesthetic needs of modern people, and lets the spiritual connotation of the nation permeate into people's aesthetic consciousness. Then summarizes the Guizhou wax painting patterns in the product design of the modern transformation and its application advantages, pay attention to Miao wax painting pattern transformation, color transformation, three-dimensional transformation and material conversion using modern design techniques; Based on the literature analysis and field investigation of wax paintings of Miao nationality in Guizhou, this paper probes into the advantages of cultural aesthetics and the uniqueness of decorative art. At last, the author uses the theory and method to carry on the innovative practice, forms the academic research and the innovation design as a whole, and proves the feasibility and the ductility of Guizhou Miao wax painting pattern applied in the diversified product design. This design not only conforms to the aesthetic appeal of modern people, but also leads the international fashion trend. It is a combination of aesthetics and function. By studying the application of wax painting patterns of Miao nationality of Guizhou in the design of modern products, while passing on and carrying forward the traditional techniques of the nation, it also gives fresh blood to the modern product design and embodies the connotation of the traditional culture in the new national style products. The sentiment of national culture and the artistic conception of natural beauty.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TB472;J523

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