产品设计中禅意风格的符号解析与设计应用
发布时间：2018-08-03 15:49
【摘要】：禅是中国传统文化的核心，禅学是有关于传统人文、生活、审美的学科，同时，禅学在日本也得到了发扬和推广，形成了茶道、园艺等富含禅意思维的生活、艺术形式。禅文化凝结了在长期历史中形成了天人合一、无住为本的哲学思想，具有指导意义；同时禅意文化有凝结了老庄美学、魏晋玄学等主流传统美学观念，影响着工艺和美术的发展。禅意风格是当代设计中流行起来的新设计风格分支，其代表设计师有深泽直人、黑川雅之等，禅意风格的设计从符号形制到设计方法都具有不同于现代主义设计的新意义，具有空灵、纯净的美感，同时是对文化、情感和工艺的设计反思与回归。 论文分为四个部分进行禅意风格设计符号的解析和设计应用分析，分别为禅意风格设计的中的美学价值辨析、禅意风格设计的形制符号表现、禅意风格的设计的符号生成规律及实现办法。论文主要分析了禅意的文化价值和美学特点，其次通过对产品案例的对比、解析以及符号语义分析法，解读其中的形制成分到内质构成，总结现象规律，形成具体的实现结论；同时论文中引证了一些现有的先设计研究方法如“无意识观察”法、“super normal”设计理论解析禅意风格中的语意关系。在论文中总结了具体的禅意风格的规律、成因以及实现办法。 论文以禅意文化的核心价值展开分析其对产品设计的研究的影响，反映了产品设计在新的时代条件和人文环境下的发展方向，，论文价值在于分析了产品设计中的新构成元素，如直觉性体验、“顿悟”感知在设计中的应用、设计中的感性思维成分等，这些研究方法和设计价值都不同与当下的现代主义中理性和逻辑性思考；同时在论文中，也针对未来的产品新体验、新交互模式进行了探索式的分析，使产品融入情境中，与人的交互三位一体。
[Abstract]:Zen is the core of Chinese traditional culture. Zen is a discipline about traditional humanities, life and aesthetics. At the same time, Zen has been developed and popularized in Japan, forming the life and art form of Zen thinking, such as tea ceremony and horticulture. Zen culture condensed in the long history of the formation of the philosophy of unity of nature and human beings, no dwelling, which has guiding significance. At the same time, the Zen culture has condensed the mainstream traditional aesthetic concepts such as Laozhuang aesthetics, Wei and Jin metaphysics and so on. Influence the development of craft and fine arts. Zen style is a branch of new design style popular in contemporary design. Its representative designers are deep and straight people, black Chuanya and so on. The design of Zen style from symbolic form to design method has a new meaning different from modernism design. With empty, pure aesthetic sense, at the same time cultural, emotional and craft design reflection and return. The thesis is divided into four parts to analyze and analyze the design symbols of Zen style design, which are the aesthetic value discrimination of Zen style design, the form symbol expression of Zen style design, respectively. Zen style of the design of the law of symbol generation and implementation. The thesis mainly analyzes the cultural value and aesthetic characteristics of Zen. Secondly, through the comparison, analysis and symbolic semantic analysis of product cases, the paper interprets the form components to endoplasmic components, summarizes the phenomenon law, and forms the concrete realization conclusion. At the same time, some existing pre-design research methods such as "unconscious observation" and "super normal" design theory are cited to analyze the semantic relationship in Zen style. In this paper, the specific Zen style of the law, causes and implementation methods. Based on the core value of Zen culture, this paper analyzes the influence of Zen culture on the research of product design, which reflects the development direction of product design under the new conditions of the times and the humanistic environment. The value of the paper lies in the analysis of the new elements in product design. Such as intuitionistic experience, the application of "epiphany" perception in design, the elements of perceptual thinking in design, and so on, these research methods and design values are different from the rational and logical thinking in modern modernism; at the same time, in the thesis, It also analyzes the new product experience and the new interaction mode in order to make the product merge into the situation and the interaction with people is trinity.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TB472
本文编号：2162217
[Abstract]:Zen is the core of Chinese traditional culture. Zen is a discipline about traditional humanities, life and aesthetics. At the same time, Zen has been developed and popularized in Japan, forming the life and art form of Zen thinking, such as tea ceremony and horticulture. Zen culture condensed in the long history of the formation of the philosophy of unity of nature and human beings, no dwelling, which has guiding significance. At the same time, the Zen culture has condensed the mainstream traditional aesthetic concepts such as Laozhuang aesthetics, Wei and Jin metaphysics and so on. Influence the development of craft and fine arts. Zen style is a branch of new design style popular in contemporary design. Its representative designers are deep and straight people, black Chuanya and so on. The design of Zen style from symbolic form to design method has a new meaning different from modernism design. With empty, pure aesthetic sense, at the same time cultural, emotional and craft design reflection and return. The thesis is divided into four parts to analyze and analyze the design symbols of Zen style design, which are the aesthetic value discrimination of Zen style design, the form symbol expression of Zen style design, respectively. Zen style of the design of the law of symbol generation and implementation. The thesis mainly analyzes the cultural value and aesthetic characteristics of Zen. Secondly, through the comparison, analysis and symbolic semantic analysis of product cases, the paper interprets the form components to endoplasmic components, summarizes the phenomenon law, and forms the concrete realization conclusion. At the same time, some existing pre-design research methods such as "unconscious observation" and "super normal" design theory are cited to analyze the semantic relationship in Zen style. In this paper, the specific Zen style of the law, causes and implementation methods. Based on the core value of Zen culture, this paper analyzes the influence of Zen culture on the research of product design, which reflects the development direction of product design under the new conditions of the times and the humanistic environment. The value of the paper lies in the analysis of the new elements in product design. Such as intuitionistic experience, the application of "epiphany" perception in design, the elements of perceptual thinking in design, and so on, these research methods and design values are different from the rational and logical thinking in modern modernism; at the same time, in the thesis, It also analyzes the new product experience and the new interaction mode in order to make the product merge into the situation and the interaction with people is trinity.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TB472
【参考文献】
相关期刊论文 前10条
1 舒湘鄂;工业设计的物质与非物质形态[J];包装工程;2004年04期
2 徐敏;黄婉春;;中国画在当今非物质包装设计中的应用[J];包装工程;2006年02期
3 陈嘉;何人可;杨帆;;从日本环境标识设计探寻民族文化传承[J];包装工程;2007年06期
4 殷润元;;原型体系的研究与产品族的设计方法探析[J];包装工程;2009年08期
5 许世虎;邵彩萍;;析产品设计中的“温暖”体验[J];包装工程;2011年14期
6 胡晓涛;;基于“无意识设计”中的设计原型积累途径研究[J];包装工程;2012年04期
7 叶德辉;李继侠;;论国画的留白与产品设计的非装饰化风格[J];包装工程;2012年04期
8 刘晓刚;设计风格与风格设计[J];中国纺织大学学报;1996年03期
9 朱慧娟;;产品设计中的诗意传达[J];大舞台;2012年08期
10 曹静珍;;禅宗“顿悟”与设计“灵感”的相通性论证[J];大舞台;2012年11期
本文编号：2162217
本文链接：https://www.wllwen.com/guanlilunwen/gongchengguanli/2162217.html
