满族萨满吉祥纹饰在长白山旅游纪念品包装设计中的应用研究
发布时间:2019-01-19 10:51
【摘要】:满族萨满文化在我国无论是地理,宗教,政治还是文化上,都是我国研究民族学中不可或缺的一部分内容,有着举足轻重的作用,同时也扮演着非常重要的历史角色。其中独特古老而又神秘的文化背景,丰富而又具有内涵的精神风貌,为我国的民族艺术研究提供了一片坚实的土壤。其中,满族萨满纹饰方面的研究是萨满文化的重点和热点,也是满族艺术最具代表性的文化之一。满族萨满吉祥纹饰在很多领域都有所涉及,例如,服饰,衣帽,建筑,绘画,工艺品等等生活空间上都能看到她的身影。本文在查阅文献资料的基础上,通过对萨满文化的了解为突破口,进而深入的围绕满族萨满吉祥图案来展开分析研究。首先是从原始自然崇拜,其中包括动植物的崇拜,天地及自然现象的崇拜,紧接着是萨满教文化对满族萨满吉祥纹饰所产生的影响,然后对满族萨满吉祥纹饰的解读,得出对萨满吉祥纹饰的视觉符号组成形式和吉祥寓意,进而深入的运用在长白山旅游纪念品的包装设计中,即创作着自身所具有的艺术感悟和思想,个人创作的感情色彩和个人倾向性。针对萨满吉祥图案,对其语汇按照吉祥植物,天然物纹饰及吉祥动物进行分类,并对其进行详细的语意解析,并且分析萨满吉祥纹饰的审美构成特点,将其归纳总结,在此基础上,展开对萨满吉祥纹饰的色彩概述,揭示其色彩背后丰富的寓意和特点。在以上研究的基础上,探讨满族萨满吉祥纹饰在长白山旅游纪念品包装设计的应用,因其具有鲜明的民族性,独特的地域性和丰富的文化性,得出民族元素运用在旅游纪念品包装上是未来的发展趋势,并对其进行可行性和实用性的包装设计。满族传统吉祥纹饰作为中国历史文化中的一颗明珠,具有很重要的研究价值。综上所述,论文将满族萨满吉祥纹饰和长白山旅游纪念品包装设计相结合进行的研究方法,为满族萨满吉祥纹饰的研究提供了新的视角,并取得了一定的成果。
[Abstract]:Manchu shaman culture is an indispensable part of ethnology in China, not only in geography, religion, politics and culture, but also plays a very important role in history. Among them, the unique ancient and mysterious cultural background, rich and connotation of the spiritual style, for our national art research provides a solid soil. Among them, Manchu shaman decoration research is the focus of Shaman culture and one of the most representative culture of Manchu art. Manchu Shaman auspicious patterns are involved in many fields, such as clothing, hat, architecture, painting, crafts and other living space can see her figure. On the basis of literature review, this paper analyzes and studies the auspicious patterns of Manchu Shaman through the understanding of Shaman culture. First of all, from the primitive nature worship, including the worship of animals and plants, the worship of heaven and earth and natural phenomena, followed by the influence of shamanistic culture on the Manchu Shaman auspicious ornaments, and then the interpretation of Manchu Shaman auspicious ornaments. The visual symbol composition and auspicious implication of Shaman auspicious ornaments are obtained, which are further applied in the packaging design of Changbai Mountain tourist souvenirs, that is to say, they create their own artistic perception and thought. Personal creation of emotional color and personal orientation. According to the auspicious patterns of shaman, the lexicon is classified according to auspicious plants, natural ornaments and auspicious animals, and its meaning is analyzed in detail, and the aesthetic characteristics of Shaman auspicious ornaments are analyzed and summarized. On this basis, the color overview of Shaman auspicious patterns is carried out to reveal the rich implication and characteristics behind the colors. On the basis of the above research, this paper discusses the application of Manchu Shaman auspicious patterns in the packaging design of Changbai Mountain tourist souvenirs, because of its distinct nationality, unique region and rich culture. It is concluded that the application of ethnic elements in the packaging of tourist souvenirs is the development trend in the future, and it is feasible and practical to design the packaging. As a pearl in Chinese history and culture, Manchu traditional auspicious ornaments have important research value. To sum up, the paper combines Manchu Shaman auspicious ornaments with Changbai Mountain tourism souvenir packaging design to provide a new perspective for the Manchu Shaman auspicious decoration research, and has achieved certain results.
【学位授予单位】:长春工业大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:TB482
本文编号:2411301
[Abstract]:Manchu shaman culture is an indispensable part of ethnology in China, not only in geography, religion, politics and culture, but also plays a very important role in history. Among them, the unique ancient and mysterious cultural background, rich and connotation of the spiritual style, for our national art research provides a solid soil. Among them, Manchu shaman decoration research is the focus of Shaman culture and one of the most representative culture of Manchu art. Manchu Shaman auspicious patterns are involved in many fields, such as clothing, hat, architecture, painting, crafts and other living space can see her figure. On the basis of literature review, this paper analyzes and studies the auspicious patterns of Manchu Shaman through the understanding of Shaman culture. First of all, from the primitive nature worship, including the worship of animals and plants, the worship of heaven and earth and natural phenomena, followed by the influence of shamanistic culture on the Manchu Shaman auspicious ornaments, and then the interpretation of Manchu Shaman auspicious ornaments. The visual symbol composition and auspicious implication of Shaman auspicious ornaments are obtained, which are further applied in the packaging design of Changbai Mountain tourist souvenirs, that is to say, they create their own artistic perception and thought. Personal creation of emotional color and personal orientation. According to the auspicious patterns of shaman, the lexicon is classified according to auspicious plants, natural ornaments and auspicious animals, and its meaning is analyzed in detail, and the aesthetic characteristics of Shaman auspicious ornaments are analyzed and summarized. On this basis, the color overview of Shaman auspicious patterns is carried out to reveal the rich implication and characteristics behind the colors. On the basis of the above research, this paper discusses the application of Manchu Shaman auspicious patterns in the packaging design of Changbai Mountain tourist souvenirs, because of its distinct nationality, unique region and rich culture. It is concluded that the application of ethnic elements in the packaging of tourist souvenirs is the development trend in the future, and it is feasible and practical to design the packaging. As a pearl in Chinese history and culture, Manchu traditional auspicious ornaments have important research value. To sum up, the paper combines Manchu Shaman auspicious ornaments with Changbai Mountain tourism souvenir packaging design to provide a new perspective for the Manchu Shaman auspicious decoration research, and has achieved certain results.
【学位授予单位】:长春工业大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:TB482
【参考文献】
相关期刊论文 前2条
1 杨世业;杨彬彬;;浅谈形式美[J];学习月刊;2009年02期
2 吕焰;浅谈我国民间剪纸的艺术特点[J];美术大观;2004年04期
,本文编号:2411301
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