具象性与抽象性的融合

发布时间：2018-01-01 18:27

本文关键词：具象性与抽象性的融合　出处：《湘潭大学》2013年硕士论文　论文类型：学位论文

【摘要】：20世纪70年代中期，中国走出了文化革命的荆途，向西方重开门户，恢复了与世界的接触。在艺术领域，也不例外地通过各种书刊、展览以及官方或非官方的艺术交流渠道，使中国艺术作品再现于国际艺坛。在众多备受瞩目的中国画家之中，吴冠中以其独特的艺术气质和作品风貌成为他们当中的佼佼者。无论水墨还是油彩，吴冠中的作品都成为中西结合、传统与现代融会的典范。他是20世纪中国美术史上举足轻重的艺术家之一，同时也被国际艺坛认定为20世纪现代中国画的代表画家之一。吴冠中的艺术主张和绘画实践使中国艺术产生了结构性震动，纵观他的画集与文集，可以看出他既不囿于传统而固步自封，也不追求那些脱离生活实际的虚幻荒诞的“后现代艺术”，而是强调绘画的形式美与抽象美，让形式服从内心表达的自由，意在具象与抽象之间，趣在写形与抒情之际。吴冠中的绘画，基本经历了从具象到半抽象再到抽象的艺术风格，但又不仅仅是停留在抽象这一阶段，而是在具象与抽象间来回轮转，这两种表现性质在吴冠中的画作中体现出了一种高层次的融合。比如说写实，他不只是简单的对景写生，如实地展示客观，，往往为意境所役，按照形式美的规律去突破客观物象中各种形、色的局限，进行一番去芜存菁，重新组合的工作；比如说选材，他常以不同物料重绘旧有的画面，当他改变其风格时，新的风格亦不完全取代旧有的面貌，而是抽取旧有画面的元素，或迁景虚构、或夸张变形，强调心中有感的一部分，从而抓住观众心灵，给人以强烈的审美感受。就这样两者风格的互相转换融合，为吴冠中的作品增添了不一样的风采，特别是作品的创新点足够引起观众的兴趣，因此，研究吴冠中绘画作品中这种具象性与抽象性间相互融合的关系是有意义的。吴冠中作为一个重要的艺术历史节点，将新中国成立前的现代派美术与80年代倡导艺术纯粹性、90年代以后中国抽象艺术的发展巧妙地通过绘画作品的具象性与抽象性之间相互融合的关系联系起来，构成了一条完整的线索。在这个意义上，吴冠中对于中国20世纪艺术发展历程无疑具有重大作用。
[Abstract]:In the middle of 1970s, China went out of the way of cultural revolution, reopened its doors to the West and resumed contact with the world. In the field of art, it was no exception through various books and periodicals. The exhibition, as well as official or unofficial channels of artistic exchange, make Chinese works of art reappear in the international art world, among the many highly regarded Chinese painters. Wu Guanzhong with his unique artistic temperament and work style became the best among them. No matter ink or oil color, Wu Guanzhong's works have become a combination of Chinese and Western. He was one of the most important artists in the history of Chinese art in 20th century and was recognized as one of the representative painters of modern Chinese painting in 20th century. Wu Guanzhong's art proposition and painting practice caused a structural shock to Chinese art. Looking at his collection of paintings and works, we can see that he is not confined to the tradition and set his own. It also does not pursue the "postmodern art" which deviates from the reality of life, but emphasizes the beauty of form and the beauty of abstraction in painting, so that the freedom of expression of form from the heart is intended to be between concrete and abstract. Wu Guanzhong's painting basically experienced the artistic style from concrete to semi-abstract to abstract, but not only to the abstract stage, but also to the rotation between concrete and abstract. These two kinds of performance nature in Wu Guanzhong's paintings reflect a kind of high-level fusion. For example, realism, he is not only a simple sketch of the scene, truthfully display the objective, often for the artistic conception. According to the law of formal beauty to break through the limitation of various forms and colors in objective object images and carry out the work of eliminating barren and recombining. For example, in the selection of materials, he often redraws old pictures with different materials. When he changes his style, the new style does not completely replace the old appearance. Instead, he extracts the elements of the old pictures, or changes the scene to make up the scene, or exaggerates and deforms it. Emphasis on the part of the feeling in the heart, so as to seize the hearts of the audience, give people a strong aesthetic feeling. Thus, the two styles of mutual conversion and fusion, for Wu Guanzhong's works added a different style. In particular, the creative point of the work is enough to arouse the interest of the audience, therefore. It is meaningful to study the relationship between representativeness and abstractness in Wu Guanzhong's paintings. Wu Guanzhong is an important historical node of art. In 80s, we advocated the purity of art before the founding of New China. After 90s, the development of Chinese abstract art was skillfully connected by the fusion of the representativeness and abstractness of painting works, which constituted a complete clue. In this sense. Wu Guanzhong undoubtedly played an important role in the development of Chinese art in 20th century.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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