对当代雕塑观念性的几点思考

发布时间：2018-01-17 03:10

本文关键词：对当代雕塑观念性的几点思考　出处：《文艺研究》2014年05期 　论文类型：期刊论文

【摘要】：正现在,很多人开始意识到搞艺术不是"做什么"、"怎么做",而是"怎么想"的事了。2006年威尼斯双年展的主题是"用思想去观看,用视觉去思维",展场里几乎见不到传统概念上的雕塑作品,传统的造型、手法、材料被有意无意地回避了。许多艺术作品借用各种可能的媒材,如声、光、电、现成品等综合材料,由技术团队参与合作而成。大量的艺术品用传统的思维观念和欣赏方式已经无法充分解读。当视觉无法完全读懂眼前的作品时,"用思想去观看,用视觉去思维"这样的观看和思维方式便浮现出来。显然,新的思维观念至关重要。新时期以来,雕塑作为造型艺术的"重工业",在创作的思维观念上一开始就明显滞后。"里星画派"的展览中,雕塑家的作品很少;早期的圆明园画家村里,以雕塑家身份
[Abstract]:Now, many people are beginning to realize that art is not "what to do", "how to do", but "what to think". In 2006, the theme of Venice Biennale was "watch with thought." To think with vision ", there is hardly any traditional conceptual sculpture in the exhibition. Traditional forms, techniques, and materials have been evaded intentionally or unintentionally. Many works of art borrow all kinds of possible media, such as sound and light. Electricity, now finished products and other comprehensive materials, by the participation of technical teams from the cooperation. A large number of works of art with traditional thinking and appreciation way can not be fully interpreted. When the vision can not fully understand the work in front of. The way of watching and thinking, such as "thinking with thought, thinking with vision," emerges. Obviously, new ideas of thinking are of paramount importance. Since the new era, sculpture has been the "heavy industry" of plastic arts. In the creation of the idea of thinking on the beginning of the obvious lag. "the Star painting School" exhibition, the sculptor's works are very few; In the early Old Summer Palace village, as a sculptor,
【作者单位】：厦门大学艺术学院美术系;
【分类号】：J405
【正文快照】： 现在,很多人开始意识到搞艺术不是“做什么”、“怎么做”,而是“怎么想”的事了。2006年威尼斯双年展的主题是“用思想去观看,用视觉去思维”,展场里几乎见不到传统概念上的雕塑作品,传统的造型、手法、材料被有意无意地回避了。许多艺术作品借用各种可能的媒材,如声、光、电

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