渐入漆境——未来当代漆艺术之现状及展望

发布时间：2018-01-19 01:02

  本文关键词： 渐入 漆境 未来 当代 艺术 现状 展望　出处：《南京艺术学院学报(美术与设计版)》2013年01期 　论文类型：期刊论文

【摘要】：正2012年12月1日,"第三届南京漆画展"在南京艺术学院美术馆正式开幕,展览上许多成熟的漆艺家和年轻的作者同台展览。如管中窥豹般,我欣喜的读览到目前中国大漆艺术的现状,同时也沉浸在对未来漆艺术的思考和展望中。就在今年,当我得知杭州市萧山区跨湖桥博物馆对外公布在跨湖桥遗址出土的八千年前的独木舟上竟有一块用大漆修补的窟窿时,我哑然了——如何对待一种自身文化那么强大,沉淀时间那么冗长的的材料?大漆竟比我们所知的存在又往前推进一千年,它古老得几乎让我们不知所措,尤是当我们在狂妄地企图用当代人的力量去赋予它再生的能力之后。谦卑和感恩的停下来,思考我们的立场和坚持,坚持一块材质的阵地,拒绝一些勉强的
[Abstract]:December 1, 2012, "the third Nanjing paint exhibition was officially opened at the Nanjing Arts Institute Museum of art exhibition, many mature and young writers with lacquer art exhibition. Like I am pleased to see only a small part, reading to the present situation of China lacquer art, but also immersed in the future lacquer art thinking and outlook on. When I learned that this year, Xiaoshan District of Hangzhou City Lake Bridge Museum announced unearthed in the ruins of Kuahu Bridge eight thousand years ago was a canoe with lacquer repair hole, I was dumbfounded, how to treat a self culture so powerful, so long settling time than lacquer material? We know the existence of forward one thousand years old, it almost let us especially when we are at a loss, after arrogantly attempts to use contemporary people power to give its ability to sense humility and regeneration. He stopped, thought about our position and perseverance, insisted on a piece of material position, and refused some reluctance.

【作者单位】： 中国美术学院;
【分类号】：J213.9
【正文快照】： 2012年12月1日,“第三届南京漆画展”在南京艺术学院美术馆正式开幕,展览上许多成熟的漆艺家和年轻的作者同台展览。如管中窥豹般,我欣喜的读览到目前中国大漆艺术的现状,同时也沉浸在对未来漆艺术的思考和展望中。就在今年,当我得知杭州市萧山区跨湖桥博物馆对外公布在跨湖，

本文编号：1441921