武汉园博会展园主题特色生成的微观权力运行机制分析

发布时间：2018-01-29 22:30

本文关键词： 园博会主题福柯微观权力运行机制空间权力　出处：《中南林业科技大学》2017年硕士论文　论文类型：学位论文

【摘要】：当今社会文化发展态势迅猛,园林展作为文化交流的一种形式,也在中华大地上迅速发展起来,引来了社会各界的关注。为了弄清园博会展园主题特色的生成机制,以2015年第十届中国(武汉)国际园林博览会中各类展园为研究对象,以福柯的空间权力理论为理论基础,运用微观权力运行机制为分析方法,并对武汉园博会进行多次实地考察、收集和查阅了相关基础理论与资料后,得到主要结果如下:(1)武汉园博会展园主题特色的生成运用地方的微观权力运行机制,各城市展园中表达的对我的家乡有文化、我的家乡很幸福、我的家乡经济发达的赞美之情,是武汉园博会驱使下,城市对自身经济文化的展示,是推动地方旅游业的手段,生成关于文人典故、山水名卷、乡土风情、产业结构等主题。(2)武汉园博会展园主题特色的生成运用主体的微观权力运行机制,来自世界各地不同背景不同地位的设计师们是展园空间权力网络上特异性的点,园博会中4个大师园的设计者既不代表地方也不代表企业,他们站在自己的艺术观、审美观和园林观角度上审视武汉园博会,运用自己的知识体系与展园空间发生微妙的联系,生成文化的重构、文化的传递、自然的重构的展园主题,极大地丰富了中国园林艺术,对人们心中固有的对园博会的理解带来冲击。(3)武汉园博会展园主题特色的生成运用环境批判的微观权力运行机制,园博会中的企业园又是一批独立的群体,它们站在一个旁观者的角度看整个园林界,以武汉园博会棕地再生的角度出发,用展园作为媒介,引发大众对环境的批判,生成了对水源的思考、对土壤资源的反思、对生活垃圾的关注的展园主题。武汉园博会展园主题特色的生成运用了地方、主体和环境批判的微观权力运行机制,生成了各式各样的园林主题,这些主题在展园空间里的生成过程,正是以上四种微观权力机制在展园空间中隐形操作的过程。对于园博会展园主题背后的运行机制的探讨,也为今后的各类园林博览会展提供借鉴。
[Abstract]:With the rapid development of social culture, garden exhibition, as a form of cultural exchange, has also developed rapidly in the land of China. In order to understand the formation mechanism of the theme of the Expo, the 10th China (Wuhan) International Garden Expo in 2015 as the research object. On the basis of Foucault's theory of spatial power, using the mechanism of micro-power as the analysis method, and the Wuhan Garden Expo many field visits, collected and consulted the relevant basic theory and data. The main results are as follows: 1) the theme features of Wuhan Garden Expo are generated using the local micro-power operation mechanism. The expressions in each city garden have culture to my hometown, and my hometown is very happy. My hometown economic developed praise is driven by the Wuhan Garden Expo the city of their own economic and cultural display is a means to promote local tourism generating on the literati allusions mountains and rivers famous volume local customs. Industrial structure and other themes. 2) the micro-power operation mechanism of the main body of the theme of Wuhan Garden Expo. Designers with different backgrounds and different positions from all over the world are the special points on the power network of the exhibition space. The designers of the four master gardens in the Expo are neither local nor corporate. They stand in their own view of art, aesthetic and garden view to examine the Wuhan Garden Expo, the use of their knowledge system and the garden space to produce a subtle link between the reconstruction of culture, cultural transmission. The theme of natural reconstruction greatly enriches Chinese garden art. The inherent understanding of the garden exposition in the hearts of people brings impact. 3) the generation of the theme features of the garden exhibition of Wuhan Garden Expo uses the micro power operation mechanism of environmental criticism. The enterprise garden in the garden fair is a group of independent groups, they stand in the perspective of a bystander to look at the whole garden field, starting from the perspective of the regeneration of Wuhan Garden Fair, using the exhibition garden as a medium. It has caused the public to criticize the environment, has produced the thought to the water source, to the soil resources reflection, to the domestic garbage concern exhibition garden theme. Wuhan Garden Expo exhibition garden theme characteristic generation has used the place. The micro power operation mechanism of subject and environment criticism has produced a variety of garden themes and the process of these themes in the exhibition space. It is the process of the above four micro power mechanisms operating invisibly in the garden space. The discussion on the operation mechanism behind the theme of the garden exhibition also provides reference for all kinds of garden exhibition and exhibition in the future.
【学位授予单位】：中南林业科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU986.5

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