近代刘海粟美术展览会研究（1918—1945）

发布时间：2018-03-02 00:02

本文关键词： 刘海粟美术展览美术近代化　出处：《华中师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：作为我国新美术运动的重要推动者,刘海粟的美术思想和实践活动,为我国近代美学的构建、发展做出了重要贡献。本文在掌握中国近代美术展览会兴起背景的基础上,以20世纪20年代到40年代刘海粟的相关美术展览为考察对象,运用文献研究法、历史研究法等,重构刘海粟相关美术展览的过程,窥探刘海粟的美术思想,进而研究刘海粟为我国美术现代化作出的重要贡献。通过对刘海粟美术展览兴起的历史背景进行分析,我们了解到,在西方外来侵略和中国内在需要的双重背景下,传统的“文人雅集”必将成为过去,美术作品必将进入公共视野。20世纪初,美术展览会开始以萌芽的形式出现,虽然还很不成熟,但是它们已经改变了中国传统的艺术鉴赏方式。同时,刘海粟的早期美术经历为其以后的美术展览奠定了坚实的基础。通过重构20世纪20年代到40年代刘海粟的美术展览,我们发现刘海粟的美术展览具有很强的时代性。20世纪20年代中国政局动荡、社会混乱,民众信仰缺失,这个时期刘海粟的美术展览以推进艺术革命、民众艺术化为路径,以挽救社会为主要目标。20世纪30年代,南京国民政府大力推行文化建设,回归传统文化,刘海粟的美术展览会逐渐与宣传民族传统文化联系起来,拥有了更多的政治色彩。20世纪40年代,“抗战救国”成为时代的主题,刘海粟的美术展览与筹集抗战经费和宣传民族精神联系起来,被赋予强烈的爱国色彩。刘海粟的美术展览总是与他生活的时代紧密相连,富于时代精神。刘海粟的美术展览对近代中国产生了重大影响。他的美术展览逐步地把西方的美术展览会全方位地移植到中国,同时又有一些创新,推动了中国美术展览会的现代化进程。同时,刘海粟以其美术思想和美术实践,对中国的近代美学的构建、发展产生了重大影响。
[Abstract]:As an important promoter of the new art movement in China, Liu Haisu's art thought and practice have made important contributions to the construction and development of Chinese modern aesthetics. Taking Liu Haisu's related art exhibition from 1920s to 40s as the object of investigation, using literature research method and historical research method to reconstruct the process of Liu Haisu related art exhibition, this paper explores the art thought of Liu Haisu. Then we study Liu Haisu's important contribution to the modernization of fine arts in China. Through an analysis of the historical background of the rise of Liu Haisu art exhibition, we understand that under the dual background of foreign aggression in the West and the inherent needs of China, The traditional collection of literati elegance will be a thing of the past, and the art works will enter the public field of vision. At the beginning of the 20th century, the art exhibition will begin to appear in the embryonic form, although it is still very immature. But they have changed the traditional Chinese art appreciation methods. At the same time, Liu Haisu's early art experience laid a solid foundation for his later art exhibitions. We find that Liu Haisu's art exhibition has a strong epochal character. In 20s, China's political situation was turbulent, social chaos, and people's belief was lacking. In this period, Liu Haisu's art exhibition took the promotion of the artistic revolution and the artistry of the people as the path. In 30s, the Nanjing National Government vigorously promoted cultural construction and returned to traditional culture. Liu Haisu's art exhibition was gradually linked to the propaganda of national traditional culture. In 40s, "the War of Resistance against Japan and Save the Nation" became the theme of the times. Liu Haisu's art exhibition was linked to raising funds for the War of Resistance against Japan and publicizing the national spirit. The art exhibition of Liu Haisu was always closely related to the times in which he lived. Full of the spirit of the times. Liu Haisu's art exhibition has had a great impact on modern China. His art exhibition gradually transplanted the Western art exhibition to China in all directions, and at the same time, there were some innovations. At the same time, Liu Haisu, with his art thought and practice, had a great influence on the construction and development of Chinese modern aesthetics.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K26

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