新中国十七年全国美展之析论

发布时间：2018-03-09 22:41

本文选题：新中国十七年　切入点：毛泽东文艺思想　出处：《湖北美术学院》2011年硕士论文　论文类型：学位论文

【摘要】：论文通过对“新中国十七年时期全国美展”的讨论来切入新中国美术史,阐释新中国十七年时期全国美展在中国美术史中的历史地位和特殊价值。新中国十七年时期,是新中国美术发展的开创性时期,在这一时期,毛泽东文艺思想作为新中国文艺创作的主导思想得以确立;社会主义美术体制得以建构;“为人民服务,为社会主义服务”的文艺方针得到了全面的推行。“全国美展”正是在这样的背景下应运而生,形成了一整套严密的组织、评选和展出模式。“全国美展”在有效的美术体制和展览机制作用下,对新中国“社会主义现实主义”的美术创作思想、创作方法和语言形式进行了强有力的引领和贯彻,有效地把控了新中国美术创作的整体面貌;同时也规导着新中国美术教育和美术理论体系的建构,促成了新中国美术总体面貌的形成;对后续中国主流美术形态的发展亦产生了深远的影响。
[Abstract]:Through the discussion of "the National Art Exhibition in the Seventeen years of New China", this paper attempts to cut into the history of New China's fine arts, and explains the historical position and special value of the National Art Exhibition in the period of 17 years of New China. It was a pioneering period for the development of fine arts in New China. During this period, Mao Zedong's literary and artistic thought was established as the leading ideology of literary and artistic creation in New China, the socialist art system was constructed, and "serving the people," The literary and artistic policy of "serving socialism" has been comprehensively implemented. It is precisely against this background that the National Art Exhibition emerged as the times require, forming a set of tight organizations. Under the effective art system and exhibition mechanism, the National Art Exhibition has strongly guided and implemented the artistic creation thought, creative method and language form of "socialist realism" in New China. It has effectively controlled the overall appearance of the fine arts creation in New China, and has also guided the construction of the art education and art theory system in New China, which has contributed to the formation of the overall outlook of the fine arts in the new China. It also has a profound influence on the development of the mainstream art form in China.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J209.2

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