现成品在纤维与空间艺术中的运用及当下意义
发布时间:2018-03-23 01:05
本文选题:纤维艺术 切入点:现成品 出处:《中国美术学院》2010年硕士论文 论文类型:学位论文
【摘要】: 论文以纤维和空间艺术研究为基础,来讨论现成品介入纤维与空间艺术呈现的新语境,以及面对当下后现代“混杂空间”显现出的丰富寓意。 对于现成品在纤维与空间艺术中的运用及当下意义的论述,文章用三个章节逐层论证说明。第一章,把现成品在纤维与空间艺术中的运用放入发展历史中去讨论,进行纵向比较。并在接下来的发展中,借助于当时的艺术观念使两种艺术形式相互融合,产生特有的异化空间。 第二章对现成品在纤维与空间艺术中的运用进行横向分析,着重叙述纤维与现成品相结合呈现的文化寓意。后现代文化是现今主导的文化现象,后现代文化中既渗透着消费文化又把其包涵其中,二者相生为利,无法分割。面对这样的文化图景,许多艺术家选择把消费社会的现成品与纤维结合去营造隐喻空间。利用直观、生动、锐利的艺术表现方式去呈现社会文化问题之所在。 第三章先就“文化数字化”的特征进行分析,提出“混杂空间”的概念。在数字网络的催化下,人们遭遇着“文化数字化”的现实。虚拟现实与日常现实相互缠绕,空间消涨中充斥着被碎化的当下。人们在“过度充实”的同时也被抛入现实的失落中,面对空洞的当下。基于这样的现实问题,艺术家选择拟像方式直呈或是虚置,以疏离的方式反思。 当下在国内外重要艺术展览中,现成品与纤维结合的作品以其独特的艺术表现力得到了关注与肯定。运用大量现成品与纤维材料,以及与空间结合所展现的作品准确的切入当下问题所在,并附于纤维与现成品艺术更新层面上的意义。
[Abstract]:Based on the research of fiber and space art, this paper discusses the new context of fiber and space art presented by the present finished product, as well as the rich implication of the present post-modern "hybrid space". For the use of existing finished products in fiber and space art and the exposition of their current significance, the article uses three chapters to prove and explain them one by one. Chapter one, put the use of existing finished products in fiber and space art into the history of development to discuss. In the following development, the two kinds of art forms are merged with each other with the help of the artistic concept of that time, and the special alienation space is produced. The second chapter analyzes the application of the finished product in fiber and space art, focusing on the cultural implication of the combination of fiber and finished product. Post-modern culture is the dominant cultural phenomenon. In the postmodern culture, consumer culture is permeated and included in it. The two are mutually beneficial and cannot be separated. In the face of such a cultural picture, Many artists choose to combine the existing products of consumer society with fiber to create metaphorical space and to present the social and cultural problems by means of visual vivid and sharp artistic expression. The third chapter analyzes the characteristics of "cultural digitization" and puts forward the concept of "hybrid space". Under the catalysis of digital network, people are confronted with the reality of "cultural digitization". Space is full of fragmented present. People are "overenriched" and thrown into the loss of reality. In the face of empty present, based on such realistic problems, artists choose the way of impersonation to be straight or false. To reflect in a distant way. At present, in the important art exhibition at home and abroad, the work of combining the present product and fiber has been paid attention to and affirmed by its unique artistic expression.Using a large number of existing finished products and fiber materials, And the work combined with the space to accurately cut into the current problem, and attached to the fiber and finished art level of the significance.
【学位授予单位】:中国美术学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J524
【引证文献】
相关硕士学位论文 前1条
1 魏欣欣;公共雕塑媒材应用的生态性研究[D];江南大学;2012年
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