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论张承志作品中的苦难意识

发布时间:2018-03-30 15:19

  本文选题:张承志 切入点:苦难意识 出处:《东北师范大学》2011年硕士论文


【摘要】:张承志的作品显示出了强烈的生命力量和浪漫的诗性因素,给当代文坛注入了新的活力,这主要原因就是张承志作品中最值得一提的苦难意识的存在。本文分析了张承志的苦难意识的本身内容以及产生的原因、和哲合忍耶的关系,通过对其立场和当代作家对苦难救赎的不同方式的叙述对比,希望呈现一个独特作家的独特一面,使读者正确对待张承志现象的存在。 从张承志的很多描写知青生活的作品中,都很明显的表现出他对自己的民间立场、母族的生存方式的向往。他和其他钟情苦难的作家一样,喜欢把人物的生活环境叙述得十分恶劣,让他们经受磨难、遭遇痛苦,从而在这个经受苦难的过程中表现出抗争现实的个体生命的潜在力量。他选择的苦难发生地黄土高原西海固、蒙古草原和新疆天山山麓,都是生存环境严峻,气候条件恶劣,与现代文明差距很远的地方,他选择的主人公也都是背负着人生苦难的平凡人物。除了这些还有苦难的情节和苦难的结局。但是作者并不是迷恋苦难,而是选择在苦难的环境下将人性真实的展露,写出意蕴更深长的信念。事实上,不论是艺术作品中还是现实生活中,人们对于苦难的体验和审视不断的加深和强化是源于悲剧精神的深入。 我们书写苦难,不是为了展览苦难,或者是调侃苦难,而是为了超越苦难,以通向救赎的彼岸。古往今来很多作家在苦难叙事的同时也对苦难的救赎之路进行了大量的探索,面对苦难,他们共同选择了在苦难的废墟上将人重新建立起来以实现对于苦难的超越。新时期小说对于“苦难”的叙述大概分为三种救赎路径:一种是忍耐苦难的态度,还有悲剧英雄人物的反抗,也有张承志这种为代表的在宗教中寻找解脱的方式。 希望我们在生活中能够接受张承志的警醒,将苦难意识牢记,坦然接受生活中的不平坦,寻找更高的价值追求,建筑人类真正的精神家园,这就是张承志作品中苦难意识寻在的现实意义所在,我们不必追究他的价值理念和生存方式是否有合理性,当我们接受他特殊的存在时,就会看到一个自由境界的领域又高扬了一面灿烂的旗帜。
[Abstract]:Zhang Chengzhi's works showed a strong life force and romantic poetic factors, and injected new vitality into the contemporary literary world. This is mainly due to the existence of the consciousness of suffering, which is the most worthy of mention in Zhang Chengzhi's works. This paper analyzes the contents and causes of the consciousness of suffering of Zhang Chengzhi, and the relationship between the consciousness of suffering and the relationship between Zhe he and Yan Ye. Through the comparison between his stand and the different ways of redeeming suffering by contemporary writers, the author hopes to present the unique side of a unique writer so that readers can correctly deal with the existence of Zhang Chengzhi. From many of Zhang Chengzhi's works describing the life of educated youth, it is obvious that he has a yearning for his own folk stand and the way his mother lives. He is like other writers who love and suffer. Like to describe the living environment of the characters very bad, let them suffer, suffer, Thus, in the course of suffering, he demonstrated the potential power of fighting against the reality of individual life. His chosen place of suffering was Xihaigu on the Loess Plateau, Mongolia's grasslands and the foothills of the Tianshan Mountains in Xinjiang, all of which had a harsh living environment and poor climatic conditions. Far from modern civilization, the protagonist he chose was also an ordinary person carrying the suffering of life. Besides these, there are also the plot of suffering and the outcome of suffering. But the author is not infatuated with suffering. Instead, he chose to expose the truth of human nature in the midst of suffering and to write deeper beliefs. In fact, whether in art or in real life, The deepening and strengthening of people's experience and examination of suffering originates from the deepening of tragic spirit. We write about suffering, not to show it, or to tease it, but to transcend it to the other side of salvation. In the face of suffering, they have jointly chosen to rebuild people on the ruins of suffering in order to achieve the transcendence of suffering. The narrative of "suffering" in new period novels is roughly divided into three ways of salvation: one is the attitude of enduring suffering, There is also the resistance of tragic heroes, Zhang Chengzhi as a representative of the way to find freedom in religion. I hope we can accept Zhang Chengzhi's wake-up call in life, remember the suffering consciousness, accept the unflatness of life, seek higher value pursuit, and build the real spiritual home of human beings. This is where the realistic significance of finding the consciousness of suffering in Zhang Chengzhi's works lies. We do not have to investigate whether his values and ways of living are reasonable, when we accept his special existence. You will see a realm of freedom and a splendid banner.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:I207.42

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