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都市水墨人物画中女性形象的演变

发布时间:2018-04-03 10:46

  本文选题:都市水墨 切入点:女性形象 出处:《沈阳师范大学》2012年硕士论文


【摘要】:都市水墨画既适应了时代发展的潮流,又继承中国传统绘画,形成的具有独特艺术语言的绘画形式。都市水墨画的发展历程、概念来源、人物特点、发展方向成为了人们关注的焦点。本文试图在深入了解当代都市水墨人物画的概念、起源及发展的基础上,对都市水墨人物画的作品中,女性题材的演变过程进入深入探究,通过分析、举例、总结等方法,归纳“八五思潮”以来发展近30年的都市水墨画中对女性题材的研究与实验成果。因此本文第一部分是都市水墨人物画的概念、起源、发展;第二部分深入探究都市水墨人物画中女性形象演变的历史和现实原因;第三部是最重要的章节,内容涵盖了本文的中心论点:都市水墨人物画女性形象的演变过程,内容涵盖了每个时期的社会艺术活动及展览情况,画家的转型和代表作品,每个时期有特点的代表作品的总结和归纳。并分别从1885-1889、1890-1944、1945-1999、2000-今的四个时期入手,概括每个时期女性形象的发展方向与形象特点。最后从符合大众的审美需求、直接反映大众的生活、推动水墨人物画发展的三个维度,总结都市水墨人物画中女性形象演变的现实意义。 笔者认为,由于都市水墨画距离现在时间上很近,发展的时间短、经历坎坷、形式多样,相关书籍、文献、期刊、杂志也比较零散。笔者尽量站在客观的角度,以个人的修养和见解对发展了近30年都市水墨人物画分阶段进行梳理,并从85思潮之后的四个时间阶段来归纳总结出女性形象的演变过程及女性形象的特点。在资料搜集中,我发现这方面的画家、画作、风格、转变都是很多、很自由、很广泛的。其中,一些画家的画风在不同时期的绘画风格变化不大;有些画家在不同时间阶段的题材又不完全涵盖于女性题材;有些画家是在90年代后期转向表现都市题材;还有近期一些画家的绘画风格和人物形象呈现多元化发展的趋势,因此,论文篇幅有限,很难以一篇两万字的论文涵盖详尽。笔者归纳的每个时期代表画家和作品,仅能以有突出画者和画作为例,望该时期同样有优秀作品的画家谅解。另外,,笔者对于每个时期所归纳的女性形象特点的总趋势可能不够全面或比较主观,希望等到广大艺术爱好者和文艺批评家的指导与雅正。
[Abstract]:Urban ink painting not only adapts to the trend of development of the times, but also inherits Chinese traditional painting, and forms a painting form with unique artistic language.The development course, concept source, character characteristic and development direction of urban ink painting have become the focus of people's attention.On the basis of deep understanding of the concept, origin and development of contemporary urban ink figure painting, this paper attempts to probe into the evolution process of female theme in the works of urban ink figure painting, through analysis, example, summary and other methods.This paper summarizes the research and experimental results of female theme in urban ink painting since the eighth five-year Plan.Therefore, the first part of this paper is the concept, origin and development of urban ink figure painting; the second part deeply explores the historical and realistic reasons for the evolution of female image in urban ink figure painting; the third part is the most important chapter.The content covers the central point of this paper: the evolution process of the female image of urban ink figure painting, the social art activities and exhibition situation of each period, the transformation and representative works of the painter,Each period has the characteristic representative work the summary and the induction.Starting from the four periods of 1885-1889-1940-1944-1945-19992000- present, the author summarizes the development direction and characteristics of female images in each period.Finally, from the aesthetic needs of the public, directly reflect the life of the public, promote the development of ink figure painting three dimensions, summed up the urban ink figure painting in the female image evolution of the realistic significance.The author believes that urban ink painting is very close to the present time, short development time, experience bumpy, various forms, related books, documents, periodicals, magazines are also relatively scattered.I try to stand in an objective perspective, with personal self-cultivation and opinions on the development of urban ink figure painting in the past 30 years in stages to sort out,And summarizes the evolution process of female image and the characteristics of female image from the four time stages after the 85 ideological trend.In the collection of information, I found that the painters, paintings, styles, changes are many, very free, very extensive.Among them, the painting style of some painters has not changed much in different periods; some painters in different periods of time have not completely covered the subject matter of women; some painters have turned to express urban themes in the late 1990s;In recent years, some painters' painting styles and characters show a trend of diversified development. Therefore, the length of the paper is limited, it is very difficult to cover a detailed paper of 20,000 words.The author induces each period to represent the painter and the work, can only have the outstanding painting and the painting as an example, hoped that that period also has the outstanding work the painter understanding.In addition, the author may not be comprehensive or more subjective about the general trend of the characteristics of female images summarized in each period, hoping to wait until the guidance and elegance of the broad masses of art lovers and literary critics.
【学位授予单位】:沈阳师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J212

【共引文献】

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相关博士学位论文 前5条

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相关硕士学位论文 前10条

1 孙小娥;矛盾与直觉——论德加的艺术特色[D];山东师范大学;2003年

2 谢慧峰;油画创作个性的当代意义[D];山西大学;2003年

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4 孟和乌力吉;现代彩墨发展中的融合与互渗[D];内蒙古师范大学;2004年

5 魏莱;历练——表现随想[D];四川大学;2005年

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8 丁荣泉;20世纪文人画的困境与当代危机[D];湖南师范大学;2006年

9 李娜;由周思聪的绘画历程看当代水墨人物创作的演变[D];山东师范大学;2006年

10 李响;传统媒材介入当代艺术作品及其意义的探索[D];东北师范大学;2006年



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