从他者的视角到多元化的身份认同——人类学视野下的博物馆展览策划研究

发布时间：2018-04-13 00:30

本文选题：博物馆 + 展览策划　；参考：《民族艺术研究》2016年05期

【摘要】：博物馆是公共叙述、公共仪节展开的空间,也是政治与文化被产出、被观察与再生产的空间。当文化整体观的思想完全占据展览策划的思路时,博物馆成为权力的巩固者,站在无所不知的主导者的视角下去审视一个差异化的社会。随着学术界对自我与他者讨论的深入,博物馆开始提倡以观众为中心的策展理念,将多元文化以及与观众自身生活相关的议题融入展览策划与教育活动中,强调学术的文化反应,以消除博物馆作为权力的拥有者,将"我"的观点放大来影响观者。
[Abstract]:The museum is the space of public narration, public festival, and the space where politics and culture are produced, observed and reproduced.When the idea of cultural holism completely occupied the idea of exhibition planning, the museum became the consolidation of power and looked at a differentiated society from the perspective of the omniscient leader.With the deepening of the discussion between the self and the others in the academic circles, the museum began to advocate the idea of "spectator" as the center of the exhibition, and integrate the multicultural and issues related to the audience's own life into the exhibition planning and educational activities.Emphasis on academic cultural responses to eliminate museums as power holders, amplifying the "I" view to influence the viewer.
【作者单位】：武汉纺织大学;中南民族大学;
【基金】：2016国家社科基金《数字时代民族博物馆公共教育的当代重构》(16BMZ081) 全国教育科学十二五规划教育重点项目《美术馆公共资源的再利用》(DLA150263)~~
【分类号】：G265

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