材料的前卫性及其消逝

发布时间：2018-04-29 23:18

本文选题：前卫性 + 综合材料　；参考：《美术观察》2014年04期

【摘要】：正材料之于当代艺术本已是无需再讨论的问题,但是由于国内不少专业类院校和机构将综合材料与绘画并置在一起,并以此来谈论绘画教学和创作,使有关综合材料绘画的讨论成为颇具我国"特色"的话题。材料和绘画本是两个对立的概念,而综合材料绘画将两个相互抵牾的概念糅合在一起,无论在概念上还是在实践中,都是一种折中化的处理。"综合材料绘画"这一概念的提出和推广实际是画地为牢之举,它在推动国内当代艺术创作方面所起的作用也非常有限。综合材料绘画在国内之所以依然备受推崇,一方面,源自部分艺术院校和机构既希望赶上艺术发展的快车,又拒绝将更为激进的艺术样式纳入教学和体制内展览之中;另一方面,源自众多相关讨论尚未理清材料进入绘画之于艺术的本质意义,导致我们扭曲了综合材料绘画的功能和作用。材料首要的也是最初的特质应是前卫性,它之所以能够成为艺术,与20世纪初前卫艺术的发生和发展密切相关。德
[Abstract]:Positive materials are a problem that no longer needs to be discussed in contemporary art. However, because many professional institutions and institutions in the country have juxtaposed comprehensive materials with paintings, they have used them to talk about painting teaching and creation. So that the discussion of comprehensive material painting has become a topic of Chinese "characteristics". Material and painting are two opposing concepts, and composite material painting combines two contradictory concepts together, both conceptually and practically, as a compromise treatment. " The concept of "comprehensive material painting" was put forward and popularized. In fact, drawing a circle on the ground was taken as a prison, and it also played a very limited role in promoting contemporary art creation in China. The reason why the comprehensive material painting is still highly respected in China, on the one hand, from some art colleges and institutions not only want to catch up with the rapid development of art, but also refuse to include more radical art style into teaching and institutional exhibition; On the other hand, many related discussions have not clarified the essential significance of materials in painting to art, which leads us to distort the function and function of comprehensive material painting. The first characteristic of material should be avant-garde, which is closely related to the emergence and development of avant-garde art in the early 20th century. Morality
【作者单位】：河北大学艺术学院;
【分类号】：J205

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