从文化变迁看二十世纪台湾水墨画发展进程

发布时间：2018-04-30 22:17

本文选题：文化 + 变迁　；参考：《中央美术学院》2011年博士论文

【摘要】：本论文是以中日甲午战争(1895)后,台湾割让予日本,开始至今约一白多年的时间,台湾水墨画的发展过程。试图跳脱传统美术史的记述方式,而参照政治、经济、社会文化的转变过程。透析台湾水墨画各类风格的生成原因。第一章绪论：说明研究动机、范围与研究方法。第二章：从清末民初的时空背景,探讨台民在面对日人领台初期的困境与中国情结下的水墨发展。第三章：从日据后日人的政经与教育文化策略下,台展的设置及对台湾美术的影响及皇民化政策下台湾传统艺术与文人水墨发展中的疏离与挫折。第四章：探讨光复初期,国民政府的政策中对文化的宣示作用及随国民政府渡台文人对台湾传统绘画的影响与提振,并兼述当时的「正统国画之争」。第五章：探讨光复后期,台湾的经济政策与社会变迁,在面对国际局势的变化中,台湾政治与文化的转变,及乡土文学论战与乡上水墨的兴起。第六章：论述解除戒严令后,台湾面临文化政策松动与西方经济密合中,传统价值的解体,受西方体系影响的文化艺术的质变与当代水墨画发展的几种面相。第七章：从教育、经济、文化思想各方而探讨在美术馆时代、策展人时代、艺评时代等等当代论述中,水墨画面临的边陲化危机。第八章：试图以中华文化的底蕴,台湾韧性与开创性格回应和种困境与挑战,及台湾水墨画界此时应肩负起的担当与责任。
[Abstract]:In this paper, after the Sino-Japanese Sino-Japanese War of 1895, Taiwan ceded to Japan, starting from now about a white time, the development process of Taiwan ink painting. Attempts to skip the traditional art history description, and refers to the political, economic, social and cultural transformation process. This paper analyzes the reasons for the formation of various styles of Taiwan ink painting. The first chapter is introduction: explain research motivation, scope and research method. Chapter two: from the time and space background of the late Qing Dynasty and the beginning of the Republic of China, the paper discusses the difficult position of the Taiwan people in the early stage of the Japanese people's leadership and the development of ink and ink under the Chinese complex. Chapter three: from the political, economic, educational and cultural strategies of the Japanese, the establishment of the Taiwan exhibition and its influence on Taiwan's fine arts and the alienation and frustration in the development of Taiwan's traditional art and literati's ink painting under the policy of emperor and people. The fourth chapter discusses the role of culture in the policy of the National Government in the early days of restoration and the influence and promotion of the literati who traveled to Taiwan with the National Government on the traditional painting of Taiwan, and also describes the "struggle of orthodox Chinese painting" at that time. Chapter five discusses the economic policy and social changes in Taiwan in the later period of the restoration, the change of Taiwan's politics and culture in the face of the changes of the international situation, the controversy of local literature and the rise of local ink painting. Chapter VI: after lifting martial law, Taiwan is faced with the loosening of cultural policy and the close cooperation of western economy, the disintegration of traditional value, the qualitative change of culture and art influenced by western system, and several facets of the development of contemporary ink painting. Chapter seven: from the aspects of education, economy, culture and thought, the author discusses the crisis of brushwork painting in the times of art gallery, curator, art evaluation and so on. The eighth chapter attempts to take on the responsibility and responsibility of the ink painting circles in Taiwan at this time with the Chinese culture in mind, Taiwan's resilience and pioneering character as well as the difficulties and challenges.
【学位授予单位】：中央美术学院
【学位级别】：博士
【学位授予年份】：2011
【分类号】：J212

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