照亮我们未来的脚步——张小涛《萨迦》的创作和展览访谈录

发布时间：2018-05-09 05:18

本文选题：萨迦 + 新媒体艺术　；参考：《天津美术学院学报》2015年08期

【摘要】：艺术本是一种具有实验色彩的严肃游戏,而人类一直在做着种种努力,企图将视觉艺术由静止发展为动态的效果,使物态的视觉状态更微观也更具有冲击力,从而以一个高度真实的虚拟世界来对抗现实的无奈、荒诞和矛盾,动画和新媒体艺术的本质更在于此。本期《今日人物》我们关注了新媒体艺术家张小涛,从上世纪90年代到今天,其从艺的经历或多或少浓缩了中国当代实验艺术的发展脉络。他前期的动画电影《迷雾》即是运用新媒体的"动态"对微观世界的一种解读,从中也不难看出他对微观叙事的驾驭能力以及将平庸生活进行诗意解读的愿望。近年来,张小涛作品中的宗教情结愈发浓厚,本期栏目中对他的采访和他自己的创作手记正展现了他当下的艺术观念——在《萨迦》《空影》《三千世界》的影像作品中,他更为娴熟地运用影像、装置、动画、行为等多种媒介的视觉元素,把宗教、现实、未来等切割成无数的碎片,将虚幻、空灵的神秘气息融入真实的世界,也巧妙地对他富于东方智慧的艺术观念进行了解读。
[Abstract]:Art is a serious game with experimental color, and human beings have been making every effort to develop visual art from static to dynamic effects, and to make the visual state of objects more microscopic and impact. Thus, a highly real virtual world to confront the reality of helplessness, absurdity and contradiction, animation and the nature of new media art lies in this. In this issue, people of Today, we focus on the new media artist Zhang Xiaotao, whose experience from the 1990s to today has more or less condensed the development of Chinese contemporary experimental art. His early animated film "Mist" is an interpretation of the microcosm by using the "dynamic" of new media, from which it is not difficult to see his ability to master micro-narration and his desire to interpret mediocre life poetically. In recent years, the religious complex in Zhang Xiaotao's works has become more and more intense. The interviews with him and his own writing notes in this issue show his current artistic concept in the image works of "Sakya" empty Shadow "and" 3,000 World ". He is more adept at using the visual elements of images, devices, animations, behaviors, and so on, cutting religion, reality, future, etc into countless fragments, and integrating the mysterious atmosphere of illusion and emptiness into the real world. Also cleverly to his rich oriental wisdom artistic idea has carried on the interpretation.
【分类号】：J905

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