柳暗花明:走向当代的新水墨

发布时间：2018-05-20 14:52

本文选题：新水墨 + 现代水墨　；参考：《文艺研究》2014年01期

【摘要】：本文简短回顾一个世纪以来中国水墨画的多次变革,侧重论述水墨在许多转型中的两个取向———表现型和抽象型,以及从现代向当代转型过程中出现的"多媒介水墨"。并以即将开幕的纽约大都会博物馆水墨展为例,说明这个展览正是西方人提供的一个"非西方的当代艺术"的样本。文章认为,在水墨走向当代的进程中,将不会是在原有的水墨格局和框架中完成。水墨可以是走向当代的出发点,但却不是一座必须固守的"东方城堡"。新水墨必须是一个敞开的空间,一个可以接纳任何新观念、新媒介的实验基地。艺术家可以在这里自由出入。在这个出走与回归的过程中,水墨画将可能以解体的方式获得再生。它可能是新水墨,也可能是具有水墨元素甚至仅仅与水墨有关的多媒介的新艺术。
[Abstract]:This paper briefly reviews the many changes in Chinese ink painting in the past century, and focuses on the two orientations of ink and wash in many transformations-expressive and abstract, as well as the emergence of "multi-medium ink" in the process of transformation from modern to contemporary. Take the forthcoming New York Metropolitan Museum Ink Exhibition as an example to show that the exhibition is a sample of "non-Western contemporary art" provided by Westerners. The paper holds that in the process of ink painting going to the present age, it will not be completed in the original pattern and frame of ink wash. Ink can be the starting point to go to the present age, but it is not an oriental castle that must be adhered to. New ink must be an open space, an experimental base that can accept any new ideas, new media. Artists are free to move in and out of here. In this runaway and return process, ink painting will be possible to break up the way to regenerate. It may be new ink, or it may be a new art with ink elements or even multi-media only related to ink.
【分类号】：J212

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