兰亭奖与当代书法审美文化转换

发布时间：2018-05-27 00:43

本文选题：当代书法 + 书法创作　；参考：《中国书法》2013年04期

【摘要】：正从二十世纪八十年代中期到九十年代初新时期展览体制中,由中国书协主办的"中青展"及"全国展"构成展览体制的核心,成为书坛最具权威的两大展事。当代大多数中青年书法名家,无不是通过这两大权威展览而在书坛成名并确立其书法地位的。由此,这两大展览的审美取向和导向价值便对当代书法潮流产生极大影响。如"中青展"的民间书法取向和倡导便在二十世纪八十年代中后期至九十年代初中期产生很大影响,对当代中青年书法创作也发生了整体效应。从书史立场而言,"中青展"以其激进的创作审美取向和学术倡导,试图
[Abstract]:From the mid-1980s to the early 1990s, the exhibition system of "China Youth Exhibition" and "National Exhibition", sponsored by the Chinese calligraphy Association, constituted the core of the exhibition system and became the two most authoritative exhibitions in the world of books. Most contemporary young and middle-aged calligraphers became famous and established their calligraphy status through these two authoritative exhibitions. As a result, the aesthetic orientation and guiding value of these two exhibitions have a great impact on the trend of contemporary calligraphy. For example, the folk calligraphy orientation and advocacy of the "Zhongqing Exhibition" had a great influence on the calligraphy creation of contemporary young and middle-aged people from the middle and late 1980s to the middle and middle of the 1990s, and also had a whole effect on the calligraphy creation of contemporary young and middle-aged people. From the standpoint of the history of the book, the exhibition tries to make an attempt with its radical aesthetic orientation of creation and academic advocacy.
【分类号】：J292.1

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