生命周期下的会展展示设计研究

发布时间：2018-06-12 07:47

本文选题：会展展示设计 + 生命周期　；参考：《西安美术学院》2017年硕士论文

【摘要】：会展展示设计具有近百年的发展历程,自从1851年英国伦敦举办的万国工业博览会发展到今天,设计的内容和形式也走向成熟化和多元化,会展展示已成为人们生活中必不可少的一部分,并且对于会展展示设计的艺术与技术要求也在日益增高。生命周期这一概念自上世纪60年代被提出后一直受到人们的密切关注,在各个领域的应用十分广泛。生命周期设计谋求在整个生命时间期限内,对物质资源和能源的优化使用,最大限度地降低能源与材料的消耗,减少所产生的废物量和环境排放量。当下在会展展示设计领域的生命周期研究还是很少的,并且对于会展展示设计的生命周期研究,仅从物化的方面进行研究是不够的,会展展示活动是一个受众参与度极高的设计,除其活动本身的物化生命周期,参与者在观展交流的过程中也具有生命周期,展示活动也有它的生命周期。本文以生命周期为基础,对会展展示设计信息能量传播的整个周期进行研究。一方面从物质的范畴对会展展示设计的原材料、展示形式等进行生命周期的优化分析;另一方面,从会展展示设计自身的生命周期研究,对主角“观众”在体验过程中的生命周期及体验后的情感、心理及认知的生命周期作以研究。论文从生命周期的视角去研究会展展示设计,将其看做是一个有机整体,根据其系统的构成,对各要素进行整理与优化,形成物质流、能量流与信息流三方面内容,以此探讨会展展示设计整个生命周期的价值。首先分析了物质流概念中物质载体的现状及特征;能量流概念中物质能量与精神能量的表现,及物质能量向精神能量转化的过程;信息流概念中的信息传递的特征和感官接收信息的方式;论文通过对物质流、能量流和信息流之间的协同关系,建构起会展展示设计生命周期研究的理论框架,以及三部分的设计方法。论文以可持续发展的角度,对会展展示设计整个生命周期进行研究和探讨。
[Abstract]:The exhibition design has been developing for nearly a hundred years. Since 1851, the contents and forms of the design have matured and diversified, since the industrial exposition held in London, England, in 1851. Exhibition has become an indispensable part of people's life, and the art and technology requirements of exhibition design are also increasing day by day. The concept of life cycle has been paid close attention to since it was put forward in 1960s, and has been widely used in various fields. Life cycle design seeks to optimize the use of material resources and energy throughout the life period, minimize the consumption of energy and materials, and reduce the amount of waste generated and the amount of environmental emissions. At present, there are few researches on the life cycle of exhibition design, and it is not enough to study the life cycle of exhibition design from the aspect of materialization. Exhibition activity is a highly participatory design. In addition to the materialized life cycle of its activities, participants also have a life cycle in the process of viewing and communicating, and display activities also have their life cycle. Based on the life cycle, this paper studies the whole period of energy transmission of exhibition design information. On the one hand, it optimizes the life cycle analysis of the raw materials and display forms of exhibition design from the material category; on the other hand, it studies the life cycle of exhibition design itself from the perspective of exhibition design. This paper studies the life cycle of the protagonist audience in the process of experience and the life cycle of emotion, psychology and cognition after experience. This paper studies exhibition design from the perspective of life cycle and regards it as an organic whole. According to the composition of its system, it arranges and optimizes the elements to form three aspects: material flow, energy flow and information flow. This paper discusses the value of the whole life cycle of exhibition design. Firstly, it analyzes the current situation and characteristics of material carrier in the concept of material flow, the expression of material energy and spiritual energy in the concept of energy flow, and the process of transforming matter energy into spiritual energy. The characteristics of information transmission in the concept of information flow and the way in which the senses receive information, the theoretical framework of the research on the life cycle of exhibition design is constructed through the cooperative relationship among material flow, energy flow and information flow. And the design method of three parts. From the perspective of sustainable development, this paper studies and discusses the whole life cycle of exhibition design.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J535.2

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