马一浮书风研究
发布时间：2018-08-27 11:33
【摘要】：马一浮学贯中西,博古通今,他作品中郁郁芊芊的书卷气,正是他文学涵养的自然流露。马一浮品行高洁,无意于功名利禄,不为浮名所累,亲自然远凡尘,他萧散简远的书法风格,正是他心性的自然流露。该文试图从四个方面对马一浮书风进行研究。首先,对马一浮所处的时代背景,以及马一浮的字外功对马一浮书法产生的影响进行梳理。马一浮历经清朝、民国、新中国三个时期,年少时生活在清末,出于科举考试以及日常书写的需要,学习欧阳询、褚遂良,有一定的楷书根基。进入民国之后,民国的书坛存在两种局面,前期书家以崇碑为主,大家竞相取法碑刻,随着一味尊碑弊端的显现,一些有意识的书家开始主张碑帖融合。随着中外交流的日益频繁、书法教育、书法展览、民国社团的不断出现,书法开始走向社会,书学观念得到了更加广泛的传播。马一浮既受到传统教育的影响,又留学西方,丰富的学识、修养,以及当时书坛碑帖相融书学观念,都为马一浮走上碑帖相融的书学道路埋下了伏笔。其次,对马一浮的书学渊源,以及早期胎息欧、褚,打下坚实的楷书基础,中期广泛取法,走上碑帖相融的道路,晚期反馈钟、王,回归帖学的书学实践过程进行分析,来对马一浮书风的形成与发展进行梳理。通过对马一浮书法作品的具体分析,分析他沉着的用笔、坚紧的结体、疏朗的章法、以及闲雅超脱的气韵,来重点研究马一浮萧散简远的书法风格。马一浮书法风格的形成与他的书学观念密不可分,该文将在第三部分进行论述,通过对马一浮有关书法的题跋、语录的分析,来研究马一浮所推崇的“依仁游艺”、“以礼乐喻书”、“儒佛道相参”、“拙入古,巧近俗”的书学观念。第四,通过分析马一浮碑帖相融的书学道路,以及字外功,来思考我们该如何进行书法实践与创作。
[Abstract]:Ma Yi-fu studied the Chinese and Western, the ancient and modern, his works in the Yu Qianqian book, is his literary self-cultivation of natural reveal. Ma Fushi Gao Jie, no interest in fame and fortune, not by the name of the tired, pro-nature far from the world, his style of calligraphy Xiao scattered far, is his heart nature of the natural outpouring. This paper attempts to study Ma Yi Fu Shu style from four aspects. First of all, the background of Ma Yi-fu, and the influence of Ma Yi-fu 's external work on Ma Yi-fu calligraphy. Ma Yi-fu experienced three periods of Qing Dynasty, Republic of China and New China. He lived in the late Qing Dynasty when he was young. Due to the need of imperial examination and daily writing, he studied Ouyang Quan and Chu Suiliang, which had a certain foundation of regular script. After entering the Republic of China, there are two kinds of situations in the book world of the Republic of China. In the early stage, the calligraphers were mainly worshipping tablets, and they competed with each other to acquire the inscription. With the appearance of the disadvantages of blindly respecting the tablets, some conscious calligraphers began to advocate the amalgamation of the tablets. With the increasingly frequent exchanges between China and foreign countries, calligraphy education, calligraphy exhibition, the emergence of the Republic of China community, calligraphy began to go to society, the concept of calligraphy has been more widely spread. Ma Yifu was influenced by the traditional education, and studied in the West, the rich knowledge, self-cultivation, as well as the combination of calligraphy and calligraphy, all laid the foreshadowing for Ma Yifu to walk on the road of calligraphy. Secondly, the author analyzes the origin of Ma Yi-fu 's calligraphy, as well as the practical process of the book science of the early stage of Xi-ou, Ch'u, laying a solid foundation of regular script, taking a wide range of methods in the middle of the period, taking the road of integration of the tablets and placards, the late feedback bell, Wang, and returning to the study of calligraphy. To carve out the formation and development of a floating style of books. Through the concrete analysis of Ma Yi-fu 's calligraphy works, this paper analyzes his composed pen, firm knot, sparse rules, and elegant and transcendent charm to focus on the calligraphy style of Ma Yi-fu Xiao Sanjian. The formation of Ma Yifu's calligraphy style is inextricably related to his concept of calligraphy. In the third part, this article will discuss, through the analysis of the inscriptions and quotations of Ma Yifu's calligraphy, to study Ma Yifu's "Yi Ren Recreation", which is respected by Ma Yifu. The book of courtesy and music, the book of Confucianism and Buddhism, and the concept of calligraphy, which are clumsy into the ancient times, skillfully close to the vulgar. Fourthly, through the analysis of the book learning road of Ma Yi Fu tablet and its characters, we can think about how to practice and create calligraphy.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2207147
[Abstract]:Ma Yi-fu studied the Chinese and Western, the ancient and modern, his works in the Yu Qianqian book, is his literary self-cultivation of natural reveal. Ma Fushi Gao Jie, no interest in fame and fortune, not by the name of the tired, pro-nature far from the world, his style of calligraphy Xiao scattered far, is his heart nature of the natural outpouring. This paper attempts to study Ma Yi Fu Shu style from four aspects. First of all, the background of Ma Yi-fu, and the influence of Ma Yi-fu 's external work on Ma Yi-fu calligraphy. Ma Yi-fu experienced three periods of Qing Dynasty, Republic of China and New China. He lived in the late Qing Dynasty when he was young. Due to the need of imperial examination and daily writing, he studied Ouyang Quan and Chu Suiliang, which had a certain foundation of regular script. After entering the Republic of China, there are two kinds of situations in the book world of the Republic of China. In the early stage, the calligraphers were mainly worshipping tablets, and they competed with each other to acquire the inscription. With the appearance of the disadvantages of blindly respecting the tablets, some conscious calligraphers began to advocate the amalgamation of the tablets. With the increasingly frequent exchanges between China and foreign countries, calligraphy education, calligraphy exhibition, the emergence of the Republic of China community, calligraphy began to go to society, the concept of calligraphy has been more widely spread. Ma Yifu was influenced by the traditional education, and studied in the West, the rich knowledge, self-cultivation, as well as the combination of calligraphy and calligraphy, all laid the foreshadowing for Ma Yifu to walk on the road of calligraphy. Secondly, the author analyzes the origin of Ma Yi-fu 's calligraphy, as well as the practical process of the book science of the early stage of Xi-ou, Ch'u, laying a solid foundation of regular script, taking a wide range of methods in the middle of the period, taking the road of integration of the tablets and placards, the late feedback bell, Wang, and returning to the study of calligraphy. To carve out the formation and development of a floating style of books. Through the concrete analysis of Ma Yi-fu 's calligraphy works, this paper analyzes his composed pen, firm knot, sparse rules, and elegant and transcendent charm to focus on the calligraphy style of Ma Yi-fu Xiao Sanjian. The formation of Ma Yifu's calligraphy style is inextricably related to his concept of calligraphy. In the third part, this article will discuss, through the analysis of the inscriptions and quotations of Ma Yifu's calligraphy, to study Ma Yifu's "Yi Ren Recreation", which is respected by Ma Yifu. The book of courtesy and music, the book of Confucianism and Buddhism, and the concept of calligraphy, which are clumsy into the ancient times, skillfully close to the vulgar. Fourthly, through the analysis of the book learning road of Ma Yi Fu tablet and its characters, we can think about how to practice and create calligraphy.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
【参考文献】
相关期刊论文 前5条
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3 燕凯;;书法与“六艺”[J];中国书法;2013年01期
4 沃兴华;;论当代中国的创新书风[J];书画艺术;2008年01期
5 胡源;;马一浮的书法理论与书法艺术[J];中国书法;2009年03期
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