中国当代青年绘画中物性特征的现实依据

发布时间：2018-11-07 10:25

【摘要】：自85美术运动以来,青年艺术家一直是推动中国当代绘画的一股中坚力量。期间经历了诸如伤痕、政治波普、玩世现实、媚俗等再到后来的卡通、小清新与坏画等一些绘画潮流。这些潮流的出现与兴起往往离不开青年艺术家这个创作群体的推动,因为青年艺术家这个身份更具有把握时代潮流的敏锐性,也是他们初探自我艺术风格的重要时期,更是在当下生活的一种思考。时至今日,在近几年的当代青年绘画中出现了一批有着不规则的基底,以及夹杂着对综合材料与现成品手法使用的作品。这些不同于传统绘画的作品虽然有着一定的装置或现成品的外表,但创作的主要形式还是来自于绘画。这种暂时称不上某种潮流或主义的风格,使得当下略显式微的绘画艺术再次活跃起来。这种倾向使我不禁想起批评家迈克尔·佛雷德界定极少主义所凸显的物性特征,即突出绘画自身的物质媒介属性。物性是衔接西方现代与后现代艺术的关键节点,并与期间发生的现象学等思潮有着密切关联。在此后的后现代与当代艺术中,作为部分艺术家创作的观念载体,绘画的物质媒介属性被赋予了更加的重要地位。而本文的目的在于:针对近期中国当代青年绘画展览中出现的物性特征的现象进行论述,对具有代表性的青年画家进行分析,思考这种现象为什么会出现即出现的依据是什么。并得到以下结论:首先,这种绘画潮流的出现是因为当代青年艺术家有着对当下这个媒介与图像所充斥的时代的敏锐体悟与反思。其次,在当代艺术语境下,绘画自身发展的空间越发狭窄,是一种来自绘画自身的内部更新。
[Abstract]:Since the 85 th Art Movement, young artists have been the backbone of contemporary Chinese painting. During the period experienced such as scars, political pop, play with reality, kitsch and so on, to later cartoon, small fresh and bad painting and other painting trends. The emergence and rise of these trends are often inseparable from the promotion of the creative group of young artists, because the identity of young artists is more sensitive to the trends of the times and is also an important period for them to explore their own artistic style. It is also a kind of thinking in the present life. Today, in recent years, in the contemporary youth painting appeared a group of irregular base, as well as mixed with the comprehensive materials and existing products of the use of the work. These works, which are different from traditional paintings, have a certain appearance of installation or finished product, but the main form of creation is still from painting. This temporary style is not a trend or doctrine, so that the present slightly declining painting art again active. This tendency reminds me of the material characteristics highlighted by critic Michael Fred in defining minimalism, that is, highlighting the material medium attributes of painting itself. Materiality is the key point to connect western modern and postmodern art, and is closely related to the phenomenological trends that occurred during the period. In the post-modern and contemporary art since then, as the concept carrier of some artists' creation, the material medium attribute of painting has been given a more important position. The purpose of this paper is to discuss the phenomenon of materiality in the recent exhibition of contemporary Chinese youth painting, to analyze the representative young painters, and to think about the basis of why this phenomenon appears. The main conclusions are as follows: first, the trend of painting is due to the contemporary young artists have a keen understanding and reflection on the times in which the media and images are filled. Secondly, in the context of contemporary art, the space for the development of painting itself is increasingly narrow, is an internal update from the painting itself.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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