民国时期美术展览会的历史流变与演变特征
发布时间：2018-11-08 18:48
【摘要】：民国时期的美术展览会是东西方文化交流的结果,它的出现改变了中国传统的艺术鉴藏方式,是中国美术史上的重大跨越。美术作品公开展示,不仅促进了美术展览模式的形成,也通过对当时艺术风格、艺术思潮的呈现,进一步影响了画坛的发展动向,对于艺术家的社会地位、创作风格的确立也起着较大的作用。美术展览是西风东渐的产物,它彻底改变了中国艺术的欣赏习惯,建立了面向大众的美育,也成为西方了解中国美术文化的窗口。 本文以民国时期(1912-1949)的美术展览活动为研究对象。通过历史分析研究的方法,在对民国时期美术展览会的历史和流变进行横向梳理的基础上进一步地从纵向上对其进行分析。本文导论部分首先对此选题相关的概念进行阐释,以明确研究的对象,正文第一部分根据不同时期美术展览的具体情况进行分类概括,共分为四个部分,分别为兴起和初步发展阶段(1910-1918)、规模壮大和展览模式形成阶段(1919-1927)、展览类型多元化阶段(1928-1936)、曲折发展阶段(1937-1949)。第二部分将从展览模式、艺术发展、文化传播等多个角度进行展开分析,以呈现民国这一时期美术展览会的独特面貌。
[Abstract]:The art exhibition in the period of the Republic of China was the result of the cultural exchange between the East and the West. Its appearance changed the traditional Chinese art collection and was a great leap forward in the history of Chinese art. The public display of art works not only promoted the formation of the art exhibition mode, but also further affected the development trend of the painting world and the social status of the artists through the presentation of the artistic style and the artistic trend of thought at that time. The establishment of creative style also plays a greater role. Art exhibition is the product of the western-style art exhibition, which has completely changed the appreciation habit of Chinese art, established the aesthetic education for the masses, and also became the window for the West to understand the Chinese art culture. This article takes the art exhibition activity of the Republic of China period (1912-1949) as the research object. Through the method of historical analysis and research, this paper analyzes the history and evolution of the art exhibition in the period of the Republic of China on the basis of further longitudinal analysis. The first part of the text is divided into four parts, which are classified and summarized according to the specific situation of the art exhibition in different periods. They are the stage of rising and initial development (1910-1918), the stage of scale expansion and the formation of exhibition mode (1919-1927), the stage of diversification of exhibition types (1928-1936), the stage of tortuous development (1937-1949). The second part will carry on the analysis from the exhibition pattern, the art development, the culture dissemination and so on, in order to present the unique appearance of the art exhibition in the period of the Republic of China.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J209.2
本文编号：2319346
[Abstract]:The art exhibition in the period of the Republic of China was the result of the cultural exchange between the East and the West. Its appearance changed the traditional Chinese art collection and was a great leap forward in the history of Chinese art. The public display of art works not only promoted the formation of the art exhibition mode, but also further affected the development trend of the painting world and the social status of the artists through the presentation of the artistic style and the artistic trend of thought at that time. The establishment of creative style also plays a greater role. Art exhibition is the product of the western-style art exhibition, which has completely changed the appreciation habit of Chinese art, established the aesthetic education for the masses, and also became the window for the West to understand the Chinese art culture. This article takes the art exhibition activity of the Republic of China period (1912-1949) as the research object. Through the method of historical analysis and research, this paper analyzes the history and evolution of the art exhibition in the period of the Republic of China on the basis of further longitudinal analysis. The first part of the text is divided into four parts, which are classified and summarized according to the specific situation of the art exhibition in different periods. They are the stage of rising and initial development (1910-1918), the stage of scale expansion and the formation of exhibition mode (1919-1927), the stage of diversification of exhibition types (1928-1936), the stage of tortuous development (1937-1949). The second part will carry on the analysis from the exhibition pattern, the art development, the culture dissemination and so on, in order to present the unique appearance of the art exhibition in the period of the Republic of China.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J209.2
【参考文献】
相关硕士学位论文 前2条
1 卢缓;从第一次全国美术展览会看民国时期的全国美术展览机制[D];中央美术学院;2007年
2 文嘉琳;中国近现代美术展览会研究[D];华南师范大学;2007年
，本文编号：2319346
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