关于现代陶艺造型语言的研究和思考

发布时间：2018-11-10 10:03

【摘要】：在时至今日的各种艺术形式当中,有一种既古老又年轻的艺术品种,俗称“陶艺”。它不仅与人类的生活息息相关,而且承载着人类的历史与精神文化。在土与水,火与时间,和一个叫做“窑”的空间下,经过漫长的情感等待和无限的心理遐想,填充着艺术家们的灵魂与希望。在现代艺术史中,像艺术家毕加索、米罗等,都曾使用陶泥作为创作材料,进行艺术行为的思考,也在陶艺领域进行了有意义的尝试和探索。自二十世纪五十年代以来,在世界范围内,现代艺术的思潮如火如荼的进行,各种艺术观念和艺术风格交错与碰撞。中国的陶艺界也不甘落后,在创作形式上向现代艺术观念靠拢,经过几十年的实践和探索,“现代陶艺”在人们的注视下,慢慢进入大众视线,展现出新的活力和热情。通过对国内外陶艺家作品的分析及现代展览的探究,我想就现代陶艺中的造型语言阐述个人的主观感受。
[Abstract]:Among the various art forms today, there is a kind of art which is both ancient and young, commonly known as "pottery art". It is not only closely related to human life, but also carries human history and spiritual culture. In the earth and water, fire and time, and a space called "kiln", after a long emotional wait and infinite mental reverie, the artist's soul and hope are filled. In the history of modern art, artists such as Picasso and Miro have used clay as creative materials to think about their artistic behavior, and have also made a meaningful attempt and exploration in the field of ceramic art. Since the fifties of the 20th century, the trend of thought of modern art has been in full swing all over the world, and all kinds of artistic concepts and artistic styles have intertwined and collided. China's ceramic art circles are not willing to lag behind, in the form of creation to the concept of modern art close to, after decades of practice and exploration, "modern pottery" in the eyes of people, slowly into the public line of sight, showing new vitality and enthusiasm. Through the analysis of the domestic and foreign pottery artists' works and the exploration of the modern exhibition, I would like to expound the personal subjective feelings on the modeling language of the modern pottery art.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J527

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