崛起中的中国设计主体性
发布时间：2018-11-29 07:52
【摘要】：正2012中国首届设计大展在深圳举办,这次展览同以往国内设计展有所不同,这是笔者能够明显感觉到的首先,作为文化部主办的一次设计大展,中国设计行业已越来越得到政府的关注和支持其次,参展人员及作品来自国内设计界和具有艺术院校专业背景的青年新锐。再次,展览中不乏官方色彩浓郁的商业性设计,也有学院气息醇厚的实验性观念设计,其中一些具有美术学院设计专业背景的作品,更展现出独特的一面。这些趋势被评论界描述为"中国设计主体性的崛起",笔者认为是恰当而准确的此次展览中,跨界设计无疑是个亮点入选的这部分作品多不是商业特性明显的产品,作品中倾注了设计者对公共
[Abstract]:The first design exhibition of China in 2012 was held in Shenzhen. This exhibition is different from the previous domestic design exhibition. This is the first one I can obviously feel, as a design exhibition sponsored by the Ministry of Culture. The Chinese design industry has been paid more and more attention and support by the government. Secondly, the exhibitors and their works come from the domestic design circles and the young people with professional background of art colleges. Thirdly, there is no lack of the commercial design with strong official color, but also the experimental concept design with the mellow flavor of the college, some of which have a professional background in the design of the Academy of Fine Arts, showing a unique side. These trends have been described by critics as "the rise of Chinese design subjectivity." the author believes that in this exhibition, cross-border design is undoubtedly a highlight of the selected part of the work is not a product with obvious commercial characteristics. The work is filled with a designer's response to the public
【作者单位】： 天津师范大学美术与设计学院;
【分类号】：J509.2
，
本文编号：2364388
[Abstract]:The first design exhibition of China in 2012 was held in Shenzhen. This exhibition is different from the previous domestic design exhibition. This is the first one I can obviously feel, as a design exhibition sponsored by the Ministry of Culture. The Chinese design industry has been paid more and more attention and support by the government. Secondly, the exhibitors and their works come from the domestic design circles and the young people with professional background of art colleges. Thirdly, there is no lack of the commercial design with strong official color, but also the experimental concept design with the mellow flavor of the college, some of which have a professional background in the design of the Academy of Fine Arts, showing a unique side. These trends have been described by critics as "the rise of Chinese design subjectivity." the author believes that in this exhibition, cross-border design is undoubtedly a highlight of the selected part of the work is not a product with obvious commercial characteristics. The work is filled with a designer's response to the public
【作者单位】： 天津师范大学美术与设计学院;
【分类号】：J509.2
，
本文编号：2364388
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