20世纪90年代中国油画创作现状思考
发布时间：2018-12-12 01:30
【摘要】：20世纪90年代的中国油画家,在意识形态、社会心态和大众通俗文化艺术面前,正经历着当代文化的严峻考验,他们作为社会神经中枢的一部分,凝聚感知着中国人的生存经验,对文化现状、历史动态和精神取向都保持着独立思考和深刻体验。当时美术界一个极为重要的变化是,油画家正改变着有史以来的依附状态,这种状态在90年代油画创作中得到了充分地体现。20世纪90年代的文化意识自觉成为这一时期众多油画家的审美追求,在通向现代文明的进程中,他们的着眼点已不再局限于单纯的物质层次,而是开始向民族文化心理的深层次探索。这并非是艺术界所独有的偶然现象,而是这一代人经过深思熟虑后所悟出的深刻哲理。然而,从油画发展的本体意义来讲,进入90年代,中国油画以其展览频繁、题材广泛、作品数量众多而彰显了中国当代油画创作的高水准,是“新时期”美术发展的新阶段。它承续了80年代“新潮美术”的部分创作理念,并为当下油画创作的发展做出了新的探索和铺垫。画家在凸显个性、广泛吸收西方优秀艺术的同时,开始注重艺术精神向本土文化回归,这是中国油画20世纪末最为重要的学术思考成果。这些成果,显然已成为代表国家艺术形象、顺应国家文艺方针、承载本土绘画语言同国际艺术形态接轨并获取认可的有利方式,进一步揭示了中国油画格局变迁与文化身份渐次转型的发展态势。20世纪90年代,中国油画的多样化发展具有深刻的社会背景,中国社会的转型和国际文化思潮都对中国油画多样化发展产生过深刻的影响。从90年代全国各地举办的多次大型油画展的获奖作品来看,中国油画在主体意识、油画观念更新和油画队伍建设等方面都取得了一定的成绩,但由于社会风气和商品经济的冲击,油画界也存在着一些不良风气,急功近利、矫柔媚俗、文化底蕴不足导致社会功能减弱、精神内涵欠缺等问题颇为突出。尽管如此,20世纪90年代的油画在中国油画史上依然占有重要的地位,并在油画人才储备,理论创新等方面为新时期中国油画的进一步发展奠定了基础。
[Abstract]:In the 1990s, Chinese oil painters, in the face of ideology, social mentality and popular culture and art, are experiencing a severe test of contemporary culture. They are part of the social nerve center. It condenses and perceives the Chinese living experience, and maintains independent thinking and profound experience on the cultural status, historical dynamics and spiritual orientation. One of the most important changes in the art world at that time was that oil painters were changing the state of attachment that they had ever seen. The cultural consciousness of the 1990s became the aesthetic pursuit of many oil painters in this period, and in the process of leading to modern civilization, Their focus is no longer confined to the pure material level, but to the deep level of the national cultural psychology. This is not a unique accident in the art world, but the profound philosophy of this generation. However, from the Noumenon meaning of oil painting development, Chinese oil painting is the new stage of art development in the "new period" because of its frequent exhibitions, extensive subjects, numerous works and high standard of Chinese contemporary oil painting creation. It inherits some of the creative ideas of modern art in 1980's, and makes a new exploration and foreshadowing for the development of oil painting. The painters began to pay attention to the return of the artistic spirit to the native culture, which was the most important academic thinking achievement at the end of the 20th century of Chinese oil painting. These achievements have obviously become a favorable way to represent the national artistic image, to conform to the national literary and artistic policy, to carry the local painting language in line with the international art form and to gain recognition. It further reveals the development trend of the changing pattern of Chinese oil painting and the gradual transformation of cultural identity. In the 1990s, the diversified development of Chinese oil painting has a profound social background. The transformation of Chinese society and the international cultural trend have exerted profound influence on the diversified development of Chinese oil painting. Judging from the award-winning works of many large-scale oil painting exhibitions held throughout the country in the 1990s, Chinese oil paintings have made certain achievements in terms of their subjective consciousness, the renewal of oil painting concepts and the building of oil painting teams. However, due to the impact of social atmosphere and commodity economy, there are some bad atmosphere in oil painting circles, such as eager for quick success and quick profit, soft and vulgar, lack of cultural background, weakening of social function, lack of spiritual connotation and so on. Nevertheless, oil painting in the 1990s still occupies an important position in the history of Chinese oil painting, and has laid a foundation for the further development of Chinese oil painting in the new period in the fields of oil painting talent reserve, theoretical innovation and so on.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J213
本文编号：2373624
[Abstract]:In the 1990s, Chinese oil painters, in the face of ideology, social mentality and popular culture and art, are experiencing a severe test of contemporary culture. They are part of the social nerve center. It condenses and perceives the Chinese living experience, and maintains independent thinking and profound experience on the cultural status, historical dynamics and spiritual orientation. One of the most important changes in the art world at that time was that oil painters were changing the state of attachment that they had ever seen. The cultural consciousness of the 1990s became the aesthetic pursuit of many oil painters in this period, and in the process of leading to modern civilization, Their focus is no longer confined to the pure material level, but to the deep level of the national cultural psychology. This is not a unique accident in the art world, but the profound philosophy of this generation. However, from the Noumenon meaning of oil painting development, Chinese oil painting is the new stage of art development in the "new period" because of its frequent exhibitions, extensive subjects, numerous works and high standard of Chinese contemporary oil painting creation. It inherits some of the creative ideas of modern art in 1980's, and makes a new exploration and foreshadowing for the development of oil painting. The painters began to pay attention to the return of the artistic spirit to the native culture, which was the most important academic thinking achievement at the end of the 20th century of Chinese oil painting. These achievements have obviously become a favorable way to represent the national artistic image, to conform to the national literary and artistic policy, to carry the local painting language in line with the international art form and to gain recognition. It further reveals the development trend of the changing pattern of Chinese oil painting and the gradual transformation of cultural identity. In the 1990s, the diversified development of Chinese oil painting has a profound social background. The transformation of Chinese society and the international cultural trend have exerted profound influence on the diversified development of Chinese oil painting. Judging from the award-winning works of many large-scale oil painting exhibitions held throughout the country in the 1990s, Chinese oil paintings have made certain achievements in terms of their subjective consciousness, the renewal of oil painting concepts and the building of oil painting teams. However, due to the impact of social atmosphere and commodity economy, there are some bad atmosphere in oil painting circles, such as eager for quick success and quick profit, soft and vulgar, lack of cultural background, weakening of social function, lack of spiritual connotation and so on. Nevertheless, oil painting in the 1990s still occupies an important position in the history of Chinese oil painting, and has laid a foundation for the further development of Chinese oil painting in the new period in the fields of oil painting talent reserve, theoretical innovation and so on.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J213
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1 张祖英;走向新世纪的中国油画——关于中国精神文化的思考[J];美苑;1996年03期
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1 聂道汨;20世纪90年代以来中国古典风肖像油画语言研究[D];中国艺术研究院;2014年
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