中国当代油画创作中的影像化倾向研究
发布时间：2019-03-09 15:38
【摘要】： 影像化倾向的创作是中国当代油画中的一种较普遍的创作表现方式。它与大众文化、消费文化、网络文化、影像技术以及其它现当代艺术等有着非常紧密的联系。作为一种艺术创作潮流,油画影像化的倾向有着自己存在的沃土和发展的缘由。首先、它与当下的社会文化氛围紧密相连；第二、它是艺术内在规律的发展需要：第三、数字化技术的发展成为油画影像化的重要动因；第四、青年艺术家籍此发出自己的声音和转向内心的表达方式。 本文对当代油画创作中的影像化特征进行了梳理和分析,并对这一艺术现象所蕴含的社会意义和价值指向进行了发掘和阐述,试图为中国当代油画的相关方面的学理研究添砖加瓦。 文中主要分为六个部分：第一部分为绪论,主要对本文的研究目的、意义以及相关概念进行阐述；第二部分探讨影像化倾向创作方式的现状,主要从美术展览、高等院校的角度来描述其现状,并给出了实例；第三部分论述当代油画创作中影像化倾向的生成；第四部分论述的是影像化倾向绘画的呈现方式,包括对摄影图片、公共图像、卡通游戏等资源的再创作、再运用和再发现等；第五部分为对影像化倾向的意义诉求进行分析；第六部分为结语,主要对艺术与科学的关系进行了一些思索。
[Abstract]:The creation of image tendency is a more common way of expression in Chinese contemporary oil painting. It is closely related to popular culture, consumer culture, network culture, image technology and other modern and contemporary art. As a trend of artistic creation, the tendency of oil painting visualization has its own fertile soil and development reasons. First, it is closely connected with the current social and cultural atmosphere; second, it is the development of the inherent law of art needs: thirdly, the development of digital technology has become an important motivation for the image of oil painting; Fourth, young artists use this to send out their own voice and turn to the inner way of expression. This article combs and analyzes the image characteristics of contemporary oil painting creation, and explores and expounds the social significance and value orientation of this artistic phenomenon. This paper attempts to contribute to the theoretical research on the relevant aspects of Chinese contemporary oil painting. The paper is divided into six parts: the first part is the introduction, mainly on the purpose, significance and related concepts of this study; The second part discusses the current situation of the creation of image tendency, mainly from the perspective of art exhibition, colleges and universities to describe its current situation, and gives an example; the third part discusses the formation of image tendency in contemporary oil painting creation, and the third part discusses the formation of image tendency in contemporary oil painting creation. The fourth part discusses the presentation of image-oriented painting, including photography, public images, cartoon games and other resources of re-creation, re-use and re-discovery, etc. The fifth part is to analyze the significance of the tendency to image. The sixth part is the conclusion, which mainly ponders the relationship between art and science.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J213
本文编号：2437607
[Abstract]:The creation of image tendency is a more common way of expression in Chinese contemporary oil painting. It is closely related to popular culture, consumer culture, network culture, image technology and other modern and contemporary art. As a trend of artistic creation, the tendency of oil painting visualization has its own fertile soil and development reasons. First, it is closely connected with the current social and cultural atmosphere; second, it is the development of the inherent law of art needs: thirdly, the development of digital technology has become an important motivation for the image of oil painting; Fourth, young artists use this to send out their own voice and turn to the inner way of expression. This article combs and analyzes the image characteristics of contemporary oil painting creation, and explores and expounds the social significance and value orientation of this artistic phenomenon. This paper attempts to contribute to the theoretical research on the relevant aspects of Chinese contemporary oil painting. The paper is divided into six parts: the first part is the introduction, mainly on the purpose, significance and related concepts of this study; The second part discusses the current situation of the creation of image tendency, mainly from the perspective of art exhibition, colleges and universities to describe its current situation, and gives an example; the third part discusses the formation of image tendency in contemporary oil painting creation, and the third part discusses the formation of image tendency in contemporary oil painting creation. The fourth part discusses the presentation of image-oriented painting, including photography, public images, cartoon games and other resources of re-creation, re-use and re-discovery, etc. The fifth part is to analyze the significance of the tendency to image. The sixth part is the conclusion, which mainly ponders the relationship between art and science.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J213
【引证文献】
相关硕士学位论文 前2条
1 刘燕;简析东西方“影像绘画”[D];曲阜师范大学;2011年
2 秦冬霞;论摄影艺术在陶瓷装饰设计中的运用[D];景德镇陶瓷学院;2012年
，本文编号：2437607
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